Tag: Sinéad O

  • Sinead O’Connor, a troubled Irish icon

    LONDON: Sinead O’Connor will forever be remembered as the Irish singer who made Prince’s “Nothing Compares 2 U” her own, turning it into an anthem for the broken-hearted.With a simple video shot in winter at a deserted park on the outskirts of Paris, she delivered a song of real and raw emotion encapsulating perfectly love and loss.

    Staring at the camera, her mesmerising elfin features accentuated by a distinctive shaven head, her real tears powerfully embodied life and soul stripped bare. In public and in private, it was characteristic of her celebrated, eclectic and often controversial career and life.

    From the 1980s, she released 10 solo albums, from the multi-platinum “I Do Not Want What I Haven’t Got” to 2014’s “I’m not Bossy, I’m the Boss”, drawing on everything from traditional Irish music to blues and reggae.

    Born in 1966 in County Dublin, Sinead Marie Bernadette O’Connor was the third of five children born to parents who went through a bitter divorce.

    She described herself as a child “kleptomaniac” in 2013, a way of dealing with abuse she called “Sexual and physical. Psychological. Spiritual. Emotional. Verbal” in a 1992 interview. She was arrested several times before being sent to a church-run correctional facility where a sympathetic nun encouraged her to pursue music, buying her a guitar.

    O’Connor began busking on the streets of Dublin and singing in pubs, where a need to be heard above the din helped her to develop her commanding voice. She moved to London and produced her first album aged 20 while heavily pregnant. A request from her record company to soften her image backfired and cemented her punk style.

    “They took me out to lunch and said they’d like me to start wearing short skirts and boots, grow my hair long and do the whole girl thing. What they were describing was actually their mistresses,” she told the Daily Telegraph.

    A trip to a Greek barber followed and O’Connor asked him to shave her head. “He didn’t want to do it, he was almost crying,” she recalled. “I was delighted with it.”

    Her 1987 debut “The Lion and the Cobra” became a cult sensation, followed three years later by “I Do Not Want What I Haven’t Got” which contained her breakthrough hit. “I suppose I’ve got to say that music saved me,” she said in 2013. “It was either jail or music. I got lucky.”

    She began playing sold-out gigs — her striking appearance and unmistakable voice making her a star around the world.

    Controversy

    O’Connor quickly developed a name for inflammatory outbursts and caused an international controversy in a 1992 performance on the US television show Saturday Night Live.

    While dressed in a white lace dress and performing Bob Marley’s “War”, O’Connor sang the words “child abuse” before tearing up a picture of Pope John Paul II and declaring “Fight the real enemy!”

    The abuse of children by Catholic priests in Ireland was not yet widely known and O’Connor’s gesture sparked widespread criticism.

    A steamroller crushed a pile of her CDs and tapes in front of her recording company’s office in New York, and the incident dealt a blow to her popularity. The following albums failed to reach the commercial success of her previous work.

    In the mid-1990s O’Connor’s personal life began to draw more attention than her music, including a bitter custody battle over her young daughter with a former partner.

    In 1999 she was again the centre of an uproar when she was ordained a priest by a dissident bishop in a ceremony not recognised by the mainstream Catholic Church, which does not accept women priests.

    A year later O’Connor signed a new deal with Atlantic Records and released a series of new albums, including the traditional Irish-inspired “Sean-Nos Nua” and reggae album “Throw Down Your Arms”.

    An announced retirement from music in 2003 did not last long.

    Unfiltered

    O’Connor was married four times and had four children, the eldest born in 1987 and the youngest in 2006. She gained a reputation for colourful public statements, writing a column in the Irish Independent in 2011 explaining that her love life was so bad that “inanimate objects are starting to look good” and soliciting applications from potential partners.

    “Must not be named Brian or Nigel,” she specified.

    Her 2014 album “I’m Not Bossy, I’m the Boss” was well received but she was forced to cancel touring in mid-2015, citing exhaustion.

    Her posts on social media became increasingly unfiltered, often threatening legal action against former associates, referring to physical and mental health difficulties and discussing troubles with her family and children.

    In November 2015 she announced on Facebook that she had “taken an overdose” while booked anonymously into a hotel, but was found safe by police.

    And in June 2016, Chicago police received a tip she might have been threatening to jump off a bridge, but she dismissed the rumours as “false and malicious gossip”.

    The musician converted to Islam and changed her name to  Shuhada’ Sadaqat in 2018.

    Towards the end of her life, she had reportedly been dividing her time between Ireland and Britain and in 2022 her son Shane died from suicide aged 17.

  • Sinéad O’Connor, gifted and provocative Irish singer, dies at 56

    By Associated Press

    LONDON:  Sinéad O’Connor, the gifted Irish singer-songwriter who became a superstar in her mid-20s but was known as much for her private struggles and provocative actions as for her fierce and expressive music, has died at 56.

    “It is with great sadness that we announce the passing of our beloved Sinéad. Her family and friends are devastated and have requested privacy at this very difficult time,” the singer’s family said in a statement reported Wednesday by the BBC and RTE.

    Recognizable by her shaved head and elfin features, O’Connor began her career singing on the streets of Dublin and soon rose to international fame. She was a star from her 1987 debut album “The Lion and the Cobra” and became a sensation in 1990 with her cover of Prince’s ballad “Nothing Compares 2 U,” a seething, shattering performance that topped charts from Europe to Australia and was heightened by a promotional video featuring the gray-eyed O’Connor in intense close-up.

    “Nothing Compares 2 U” received three Grammy nominations and was the featured track off her acclaimed album “I Do Not Want What I Haven’t Got,” which helped lead Rolling Stone to name her Artist of the Year in 1991.

    “She proved that a recording artist could refuse to compromise and still connect with millions of listeners hungry for music of substance,” the magazine declared.

    She was a lifelong non-conformist — she would say that she shaved her head in response to record executives pressuring her to be conventionally glamorous — but her political and cultural stances and troubled private life often overshadowed her music. She feuded with Frank Sinatra over her refusal to allow the playing of “The Star-Spangled Banner” at one of her shows and accused Prince of physically threatening her. In 1989 she declared her support for the Irish Republican Army, a statement she retracted a year later. Around the same time, she skipped the Grammy ceremony, saying it was too commercialized.

    A critic of the Catholic Church well before allegations sexual abuse were widely reported, O’Connor made headlines in October 1992 when she tore up a photo of Pope John Paul II while appearing live on NBC’s “Saturday Night Live” and denounced the church as the enemy. The following week, Joe Pesci hosted “Saturday Night Live,” held up a repaired photo of the Pope and said that if he had been on the show with O’Connor he “would have gave her such a smack.” Days later, she appeared at an all-star tribute for Bob Dylan at Madison Square Garden and was immediately booed. She was supposed to sing Dylan’s “I Believe in You,” but switched to an a cappella version of Bob Marley’s “War,” which she had sung on “Saturday Night Live.”

    Although consoled and encouraged on stage by her friend Kris Kristofferson, she left and broke down, and her performance was kept off the concert CD. (Years later, Kristofferson recorded “Sister Sinead,” for which he wrote “And maybe she’s crazy and maybe she ain’t/But so was Picasso and so were the saints.”)

    In 1999, O’Connor caused uproar in Ireland when she became a priestess of the breakaway Latin Tridentine Church — a position that was not recognized by the mainstream Catholic Church. For many years, she called for a full investigation into the extent of the church’s role in concealing child abuse by clergy. In 2010, when Pope Benedict XVI apologized to Ireland to atone for decades of abuse, O’Connor condemned the apology for not going far enough and called for Catholics to boycott Mass until there was a full investigation into the Vatican’s role, which by 2018 was making international headlines.

    “People assumed I didn’t believe in God. That’s not the case at all. I’m Catholic by birth and culture and would be the first at the church door if the Vatican offered sincere reconciliation,” she wrote in the Washington Post in 2010.

    O’Connor announced in 2018 that she had converted to Islam and would be adopting the name Shuhada’ Davitt — although she continued to use Sinéad O’Connor professionally.

    O’Connor was born on Dec. 8, 1966. She had a difficult childhood, with a mother whom she alleged was abusive and encouraged her to shoplift. As a teenager she spent time in a church-sponsored institution for girls, where she said she washed priests’ clothes for no wages. But a nun gave O’Connor her first guitar, and soon she sang and performed on the streets of Dublin, her influences ranging from Dylan to Siouxsie and the Banshees.

    Her performance with a local band caught the eye of a small record label, and, in 1987, O’Connor released “The Lion and the Cobra,” which sold hundreds of thousands of copies and featured the hit “Mandinka,” driven by a hard rock guitar riff and O’Connor’s piercing vocals. O’Connor, 20 years old and pregnant while making “Lion and the Cobra,” co-produced the album.

    “I suppose I’ve got to say that music saved me,” she said in an interview with the Independent newspaper in 2013. “I didn’t have any other abilities, and there was no learning support for girls like me, not in Ireland at that time. It was either jail or music. I got lucky.”

    O’Connor’s other musical credits included the albums “Universal Mother” and “Faith and Courage,” a cover of Cole Porter’s “You Do Something to Me” from the AIDS fundraising album “Red Hot + Blue” and backing vocals on Peter Gabriel’s “Blood of Eden.” She received eight Grammy nominations overall and in 1991 won for best alternative musical performance.

    O’Connor announced she was retiring from music in 2003, but she continued to record new material. Her most recent album was “ I’m Not Bossy, I’m the Boss,” released in 2014.

    The singer married four times; her union to drug counsellor Barry Herridge, in 2011, lasted just 16 days. She was open about her private life, from her sexuality to her mental illness. She said she was diagnosed with bipolar disorder, and on social media wrote openly about taking her own life. When her teenage son Shane died by suicide in 2022, O’Connor tweeted there was “no point living without him” and was soon hospitalized.

    In 2014, she said she was joining the Irish nationalist Sinn Fein party and called for its leaders to step aside so that a younger generation of activists could take over. She later withdrew her application.

    O’Connor had four children: Jake, with her first husband John Reynolds; Roisin, with John Waters; Shane, with Donal Lunny; and Yeshua Bonadio, with Frank Bonadio.

    LONDON:  Sinéad O’Connor, the gifted Irish singer-songwriter who became a superstar in her mid-20s but was known as much for her private struggles and provocative actions as for her fierce and expressive music, has died at 56.

    “It is with great sadness that we announce the passing of our beloved Sinéad. Her family and friends are devastated and have requested privacy at this very difficult time,” the singer’s family said in a statement reported Wednesday by the BBC and RTE.

    Recognizable by her shaved head and elfin features, O’Connor began her career singing on the streets of Dublin and soon rose to international fame. She was a star from her 1987 debut album “The Lion and the Cobra” and became a sensation in 1990 with her cover of Prince’s ballad “Nothing Compares 2 U,” a seething, shattering performance that topped charts from Europe to Australia and was heightened by a promotional video featuring the gray-eyed O’Connor in intense close-up.googletag.cmd.push(function() {googletag.display(‘div-gpt-ad-8052921-2’); });

    “Nothing Compares 2 U” received three Grammy nominations and was the featured track off her acclaimed album “I Do Not Want What I Haven’t Got,” which helped lead Rolling Stone to name her Artist of the Year in 1991.

    “She proved that a recording artist could refuse to compromise and still connect with millions of listeners hungry for music of substance,” the magazine declared.

    She was a lifelong non-conformist — she would say that she shaved her head in response to record executives pressuring her to be conventionally glamorous — but her political and cultural stances and troubled private life often overshadowed her music. She feuded with Frank Sinatra over her refusal to allow the playing of “The Star-Spangled Banner” at one of her shows and accused Prince of physically threatening her. In 1989 she declared her support for the Irish Republican Army, a statement she retracted a year later. Around the same time, she skipped the Grammy ceremony, saying it was too commercialized.

    A critic of the Catholic Church well before allegations sexual abuse were widely reported, O’Connor made headlines in October 1992 when she tore up a photo of Pope John Paul II while appearing live on NBC’s “Saturday Night Live” and denounced the church as the enemy. The following week, Joe Pesci hosted “Saturday Night Live,” held up a repaired photo of the Pope and said that if he had been on the show with O’Connor he “would have gave her such a smack.” Days later, she appeared at an all-star tribute for Bob Dylan at Madison Square Garden and was immediately booed. She was supposed to sing Dylan’s “I Believe in You,” but switched to an a cappella version of Bob Marley’s “War,” which she had sung on “Saturday Night Live.”

    Although consoled and encouraged on stage by her friend Kris Kristofferson, she left and broke down, and her performance was kept off the concert CD. (Years later, Kristofferson recorded “Sister Sinead,” for which he wrote “And maybe she’s crazy and maybe she ain’t/But so was Picasso and so were the saints.”)

    In 1999, O’Connor caused uproar in Ireland when she became a priestess of the breakaway Latin Tridentine Church — a position that was not recognized by the mainstream Catholic Church. For many years, she called for a full investigation into the extent of the church’s role in concealing child abuse by clergy. In 2010, when Pope Benedict XVI apologized to Ireland to atone for decades of abuse, O’Connor condemned the apology for not going far enough and called for Catholics to boycott Mass until there was a full investigation into the Vatican’s role, which by 2018 was making international headlines.

    “People assumed I didn’t believe in God. That’s not the case at all. I’m Catholic by birth and culture and would be the first at the church door if the Vatican offered sincere reconciliation,” she wrote in the Washington Post in 2010.

    O’Connor announced in 2018 that she had converted to Islam and would be adopting the name Shuhada’ Davitt — although she continued to use Sinéad O’Connor professionally.

    O’Connor was born on Dec. 8, 1966. She had a difficult childhood, with a mother whom she alleged was abusive and encouraged her to shoplift. As a teenager she spent time in a church-sponsored institution for girls, where she said she washed priests’ clothes for no wages. But a nun gave O’Connor her first guitar, and soon she sang and performed on the streets of Dublin, her influences ranging from Dylan to Siouxsie and the Banshees.

    Her performance with a local band caught the eye of a small record label, and, in 1987, O’Connor released “The Lion and the Cobra,” which sold hundreds of thousands of copies and featured the hit “Mandinka,” driven by a hard rock guitar riff and O’Connor’s piercing vocals. O’Connor, 20 years old and pregnant while making “Lion and the Cobra,” co-produced the album.

    “I suppose I’ve got to say that music saved me,” she said in an interview with the Independent newspaper in 2013. “I didn’t have any other abilities, and there was no learning support for girls like me, not in Ireland at that time. It was either jail or music. I got lucky.”

    O’Connor’s other musical credits included the albums “Universal Mother” and “Faith and Courage,” a cover of Cole Porter’s “You Do Something to Me” from the AIDS fundraising album “Red Hot + Blue” and backing vocals on Peter Gabriel’s “Blood of Eden.” She received eight Grammy nominations overall and in 1991 won for best alternative musical performance.

    O’Connor announced she was retiring from music in 2003, but she continued to record new material. Her most recent album was “ I’m Not Bossy, I’m the Boss,” released in 2014.

    The singer married four times; her union to drug counsellor Barry Herridge, in 2011, lasted just 16 days. She was open about her private life, from her sexuality to her mental illness. She said she was diagnosed with bipolar disorder, and on social media wrote openly about taking her own life. When her teenage son Shane died by suicide in 2022, O’Connor tweeted there was “no point living without him” and was soon hospitalized.

    In 2014, she said she was joining the Irish nationalist Sinn Fein party and called for its leaders to step aside so that a younger generation of activists could take over. She later withdrew her application.

    O’Connor had four children: Jake, with her first husband John Reynolds; Roisin, with John Waters; Shane, with Donal Lunny; and Yeshua Bonadio, with Frank Bonadio.

  • Sinéad O’Connor, gifted and provocative Irish singer, dies at 56

    By Associated Press

    LONDON:  Sinéad O’Connor, the gifted Irish singer-songwriter who became a superstar in her mid-20s but was known as much for her private struggles and provocative actions as for her fierce and expressive music, has died at 56.

    “It is with great sadness that we announce the passing of our beloved Sinéad. Her family and friends are devastated and have requested privacy at this very difficult time,” the singer’s family said in a statement reported Wednesday by the BBC and RTE.

    Recognizable by her shaved head and elfin features, O’Connor began her career singing on the streets of Dublin and soon rose to international fame. She was a star from her 1987 debut album “The Lion and the Cobra” and became a sensation in 1990 with her cover of Prince’s ballad “Nothing Compares 2 U,” a seething, shattering performance that topped charts from Europe to Australia and was heightened by a promotional video featuring the gray-eyed O’Connor in intense close-up.

    “Nothing Compares 2 U” received three Grammy nominations and was the featured track off her acclaimed album “I Do Not Want What I Haven’t Got,” which helped lead Rolling Stone to name her Artist of the Year in 1991.

    “She proved that a recording artist could refuse to compromise and still connect with millions of listeners hungry for music of substance,” the magazine declared.

    She was a lifelong non-conformist — she would say that she shaved her head in response to record executives pressuring her to be conventionally glamorous — but her political and cultural stances and troubled private life often overshadowed her music. She feuded with Frank Sinatra over her refusal to allow the playing of “The Star-Spangled Banner” at one of her shows and accused Prince of physically threatening her. In 1989 she declared her support for the Irish Republican Army, a statement she retracted a year later. Around the same time, she skipped the Grammy ceremony, saying it was too commercialized.

    A critic of the Catholic Church well before allegations sexual abuse were widely reported, O’Connor made headlines in October 1992 when she tore up a photo of Pope John Paul II while appearing live on NBC’s “Saturday Night Live” and denounced the church as the enemy. The following week, Joe Pesci hosted “Saturday Night Live,” held up a repaired photo of the Pope and said that if he had been on the show with O’Connor he “would have gave her such a smack.” Days later, she appeared at an all-star tribute for Bob Dylan at Madison Square Garden and was immediately booed. She was supposed to sing Dylan’s “I Believe in You,” but switched to an a cappella version of Bob Marley’s “War,” which she had sung on “Saturday Night Live.”

    Although consoled and encouraged on stage by her friend Kris Kristofferson, she left and broke down, and her performance was kept off the concert CD. (Years later, Kristofferson recorded “Sister Sinead,” for which he wrote “And maybe she’s crazy and maybe she ain’t/But so was Picasso and so were the saints.”)

    In 1999, O’Connor caused uproar in Ireland when she became a priestess of the breakaway Latin Tridentine Church — a position that was not recognized by the mainstream Catholic Church. For many years, she called for a full investigation into the extent of the church’s role in concealing child abuse by clergy. In 2010, when Pope Benedict XVI apologized to Ireland to atone for decades of abuse, O’Connor condemned the apology for not going far enough and called for Catholics to boycott Mass until there was a full investigation into the Vatican’s role, which by 2018 was making international headlines.

    “People assumed I didn’t believe in God. That’s not the case at all. I’m Catholic by birth and culture and would be the first at the church door if the Vatican offered sincere reconciliation,” she wrote in the Washington Post in 2010.

    O’Connor announced in 2018 that she had converted to Islam and would be adopting the name Shuhada’ Davitt — although she continued to use Sinéad O’Connor professionally.

    O’Connor was born on Dec. 8, 1966. She had a difficult childhood, with a mother whom she alleged was abusive and encouraged her to shoplift. As a teenager she spent time in a church-sponsored institution for girls, where she said she washed priests’ clothes for no wages. But a nun gave O’Connor her first guitar, and soon she sang and performed on the streets of Dublin, her influences ranging from Dylan to Siouxsie and the Banshees.

    Her performance with a local band caught the eye of a small record label, and, in 1987, O’Connor released “The Lion and the Cobra,” which sold hundreds of thousands of copies and featured the hit “Mandinka,” driven by a hard rock guitar riff and O’Connor’s piercing vocals. O’Connor, 20 years old and pregnant while making “Lion and the Cobra,” co-produced the album.

    “I suppose I’ve got to say that music saved me,” she said in an interview with the Independent newspaper in 2013. “I didn’t have any other abilities, and there was no learning support for girls like me, not in Ireland at that time. It was either jail or music. I got lucky.”

    O’Connor’s other musical credits included the albums “Universal Mother” and “Faith and Courage,” a cover of Cole Porter’s “You Do Something to Me” from the AIDS fundraising album “Red Hot + Blue” and backing vocals on Peter Gabriel’s “Blood of Eden.” She received eight Grammy nominations overall and in 1991 won for best alternative musical performance.

    O’Connor announced she was retiring from music in 2003, but she continued to record new material. Her most recent album was “ I’m Not Bossy, I’m the Boss,” released in 2014.

    The singer married four times; her union to drug counsellor Barry Herridge, in 2011, lasted just 16 days. She was open about her private life, from her sexuality to her mental illness. She said she was diagnosed with bipolar disorder, and on social media wrote openly about taking her own life. When her teenage son Shane died by suicide in 2022, O’Connor tweeted there was “no point living without him” and was soon hospitalized.

    In 2014, she said she was joining the Irish nationalist Sinn Fein party and called for its leaders to step aside so that a younger generation of activists could take over. She later withdrew her application.

    O’Connor had four children: Jake, with her first husband John Reynolds; Roisin, with John Waters; Shane, with Donal Lunny; and Yeshua Bonadio, with Frank Bonadio.

    LONDON:  Sinéad O’Connor, the gifted Irish singer-songwriter who became a superstar in her mid-20s but was known as much for her private struggles and provocative actions as for her fierce and expressive music, has died at 56.

    “It is with great sadness that we announce the passing of our beloved Sinéad. Her family and friends are devastated and have requested privacy at this very difficult time,” the singer’s family said in a statement reported Wednesday by the BBC and RTE.

    Recognizable by her shaved head and elfin features, O’Connor began her career singing on the streets of Dublin and soon rose to international fame. She was a star from her 1987 debut album “The Lion and the Cobra” and became a sensation in 1990 with her cover of Prince’s ballad “Nothing Compares 2 U,” a seething, shattering performance that topped charts from Europe to Australia and was heightened by a promotional video featuring the gray-eyed O’Connor in intense close-up.googletag.cmd.push(function() {googletag.display(‘div-gpt-ad-8052921-2’); });

    “Nothing Compares 2 U” received three Grammy nominations and was the featured track off her acclaimed album “I Do Not Want What I Haven’t Got,” which helped lead Rolling Stone to name her Artist of the Year in 1991.

    “She proved that a recording artist could refuse to compromise and still connect with millions of listeners hungry for music of substance,” the magazine declared.

    She was a lifelong non-conformist — she would say that she shaved her head in response to record executives pressuring her to be conventionally glamorous — but her political and cultural stances and troubled private life often overshadowed her music. She feuded with Frank Sinatra over her refusal to allow the playing of “The Star-Spangled Banner” at one of her shows and accused Prince of physically threatening her. In 1989 she declared her support for the Irish Republican Army, a statement she retracted a year later. Around the same time, she skipped the Grammy ceremony, saying it was too commercialized.

    A critic of the Catholic Church well before allegations sexual abuse were widely reported, O’Connor made headlines in October 1992 when she tore up a photo of Pope John Paul II while appearing live on NBC’s “Saturday Night Live” and denounced the church as the enemy. The following week, Joe Pesci hosted “Saturday Night Live,” held up a repaired photo of the Pope and said that if he had been on the show with O’Connor he “would have gave her such a smack.” Days later, she appeared at an all-star tribute for Bob Dylan at Madison Square Garden and was immediately booed. She was supposed to sing Dylan’s “I Believe in You,” but switched to an a cappella version of Bob Marley’s “War,” which she had sung on “Saturday Night Live.”

    Although consoled and encouraged on stage by her friend Kris Kristofferson, she left and broke down, and her performance was kept off the concert CD. (Years later, Kristofferson recorded “Sister Sinead,” for which he wrote “And maybe she’s crazy and maybe she ain’t/But so was Picasso and so were the saints.”)

    In 1999, O’Connor caused uproar in Ireland when she became a priestess of the breakaway Latin Tridentine Church — a position that was not recognized by the mainstream Catholic Church. For many years, she called for a full investigation into the extent of the church’s role in concealing child abuse by clergy. In 2010, when Pope Benedict XVI apologized to Ireland to atone for decades of abuse, O’Connor condemned the apology for not going far enough and called for Catholics to boycott Mass until there was a full investigation into the Vatican’s role, which by 2018 was making international headlines.

    “People assumed I didn’t believe in God. That’s not the case at all. I’m Catholic by birth and culture and would be the first at the church door if the Vatican offered sincere reconciliation,” she wrote in the Washington Post in 2010.

    O’Connor announced in 2018 that she had converted to Islam and would be adopting the name Shuhada’ Davitt — although she continued to use Sinéad O’Connor professionally.

    O’Connor was born on Dec. 8, 1966. She had a difficult childhood, with a mother whom she alleged was abusive and encouraged her to shoplift. As a teenager she spent time in a church-sponsored institution for girls, where she said she washed priests’ clothes for no wages. But a nun gave O’Connor her first guitar, and soon she sang and performed on the streets of Dublin, her influences ranging from Dylan to Siouxsie and the Banshees.

    Her performance with a local band caught the eye of a small record label, and, in 1987, O’Connor released “The Lion and the Cobra,” which sold hundreds of thousands of copies and featured the hit “Mandinka,” driven by a hard rock guitar riff and O’Connor’s piercing vocals. O’Connor, 20 years old and pregnant while making “Lion and the Cobra,” co-produced the album.

    “I suppose I’ve got to say that music saved me,” she said in an interview with the Independent newspaper in 2013. “I didn’t have any other abilities, and there was no learning support for girls like me, not in Ireland at that time. It was either jail or music. I got lucky.”

    O’Connor’s other musical credits included the albums “Universal Mother” and “Faith and Courage,” a cover of Cole Porter’s “You Do Something to Me” from the AIDS fundraising album “Red Hot + Blue” and backing vocals on Peter Gabriel’s “Blood of Eden.” She received eight Grammy nominations overall and in 1991 won for best alternative musical performance.

    O’Connor announced she was retiring from music in 2003, but she continued to record new material. Her most recent album was “ I’m Not Bossy, I’m the Boss,” released in 2014.

    The singer married four times; her union to drug counsellor Barry Herridge, in 2011, lasted just 16 days. She was open about her private life, from her sexuality to her mental illness. She said she was diagnosed with bipolar disorder, and on social media wrote openly about taking her own life. When her teenage son Shane died by suicide in 2022, O’Connor tweeted there was “no point living without him” and was soon hospitalized.

    In 2014, she said she was joining the Irish nationalist Sinn Fein party and called for its leaders to step aside so that a younger generation of activists could take over. She later withdrew her application.

    O’Connor had four children: Jake, with her first husband John Reynolds; Roisin, with John Waters; Shane, with Donal Lunny; and Yeshua Bonadio, with Frank Bonadio.