By Online Desk
“Patriarchy has no gender,” says filmmaker Nina Menkes. “We’re not saying, if you have a male body, you make this kind of movie. It doesn’t break down like that.”
Menkes is the director of Brainwashed: Sex-Camera-Power, a documentary arguing that even the most acclaimed classics of cinema have encouraged a culture of sexual harassment of women. Using hundreds of clips, Menkes shows how female characters are consistently framed as the object by the male subject, The Guardian reports.
This mesmerising visual journey through cinema’s sexist bloodstream will forever change the way you see and make films.Brainwashed: Sex-Camera-Power by Nina Menkes (@menkesfilm) arrives in UK cinemas 12 May 2023. pic.twitter.com/o6y2S7kVdo
— BFI (@BFI) April 6, 2023
“Everybody knows that women tend to be objectified in advertisements and music videos,” says Menkes. Less well known is its ubiquity in the canon. “The great directors that everyone reveres. These films that many people consider to be their favourites reinforce a way of seeing women that’s detrimental to our lives.” The Guardian quoted her saying.
Talking heads analyse the effects of such imagery, from academics such as Laura Mulvey to directors including Julie Dash and Catherine Hardwicke. The absence of white, male, heterosexual speakers was accidental, says Menkes. “We were kind of shocked because it was not our plan,” the report said.
“We reached out to a lot of the big directors whose clips we included, including Scorsese and Spike Lee,” says Menkes. “Denis Villeneuve, because we use his clips quite a few times. And we got the brush off.‘Busy, sorry’. Without trying, we ended up with a group of people who were very powerfully reinforcing the message.”
The Guardian report adds, Yet Menkes also uses incriminating examples of objectification from films by female directors – from Sofia Coppola’s Lost in Translation to Julia Ducournau’s Titane. “Patriarchy has no gender,” says Menkes. “We’re not saying, if you have a male body, you make this kind of movie. It doesn’t break down like that.”
“Patriarchy has no gender,” says filmmaker Nina Menkes. “We’re not saying, if you have a male body, you make this kind of movie. It doesn’t break down like that.”
Menkes is the director of Brainwashed: Sex-Camera-Power, a documentary arguing that even the most acclaimed classics of cinema have encouraged a culture of sexual harassment of women. Using hundreds of clips, Menkes shows how female characters are consistently framed as the object by the male subject, The Guardian reports.
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This mesmerising visual journey through cinema’s sexist bloodstream will forever change the way you see and make films.
Brainwashed: Sex-Camera-Power by Nina Menkes (@menkesfilm) arrives in UK cinemas 12 May 2023. pic.twitter.com/o6y2S7kVdo
— BFI (@BFI) April 6, 2023
“Everybody knows that women tend to be objectified in advertisements and music videos,” says Menkes. Less well known is its ubiquity in the canon. “The great directors that everyone reveres. These films that many people consider to be their favourites reinforce a way of seeing women that’s detrimental to our lives.” The Guardian quoted her saying.
Talking heads analyse the effects of such imagery, from academics such as Laura Mulvey to directors including Julie Dash and Catherine Hardwicke. The absence of white, male, heterosexual speakers was accidental, says Menkes. “We were kind of shocked because it was not our plan,” the report said.
“We reached out to a lot of the big directors whose clips we included, including Scorsese and Spike Lee,” says Menkes. “Denis Villeneuve, because we use his clips quite a few times. And we got the brush off.‘Busy, sorry’. Without trying, we ended up with a group of people who were very powerfully reinforcing the message.”
The Guardian report adds, Yet Menkes also uses incriminating examples of objectification from films by female directors – from Sofia Coppola’s Lost in Translation to Julia Ducournau’s Titane. “Patriarchy has no gender,” says Menkes. “We’re not saying, if you have a male body, you make this kind of movie. It doesn’t break down like that.”