‘Duniya mein aisi baatein hoti rehti hain,’ Yadav began, before diving into a scathing analysis. He described such creators as ‘mentally troubled individuals who act impulsively, causing harm to society without a second thought. Their only goal is notoriety, no matter the cost.’

At the heart of the storm is a tale of forbidden love: a girl enamored with Wasim Akhtar (Vishal Mohan), thwarted by religious differences. Protests have erupted in Sambhal, with Yadav community leaders decrying the title as a provocative slur aimed at their identity.

Yadav’s commentary broadened to national woes. He mocked the irony of misplaced priorities and slammed bureaucratic incompetence. ‘Ask a joint secretary for a note today—he can’t even write it. Earlier eras emphasized handwriting and letter-writing skills. Now, it’s all AI and ChatGPT shortcuts.’

On AI’s rampant, irresponsible adoption, he stated firmly, ‘Its use in critical areas lacks depth and consideration. This is a growing crisis.’ As backlash intensifies, Yadav’s words underscore the clash between artistic liberty and cultural sensitivities, leaving audiences divided on whether the film glorifies or exploits real divisions.