Tag: Dariush Mehrjui

  • Prominent Iranian director Dariush Mehrjui stabbed to death

    By AFP

    TEHRAN: One of Iran’s most prominent film-makers, Dariush Mehrjui, was stabbed to death on Saturday evening alongside his wife at their home near Tehran.

    A provincial chief justice said Mehrjui and his wife, Vahideh Mohammadifar, “were killed by multiple stab wounds to the neck”, the judiciary’s Mizan Online website said.

    According to Hossein Fazeli-Harikandi, chief justice of Alborz province near Tehran, Mehrjui sent a text message to his daughter, Mona, at about 9:00 pm local time (1730 GMT) inviting her for dinner at their home in Karaj, west of Tehran.

    But upon her arrival an hour and a half later, she found the bodies of her dead parents with fatal wounds to their necks.

    Later in the day, police said “no signs of forced entry can be seen at the crime scene”, adding that “no damage has been done to the doors” of their home.

    However, they said “traces have been found” at the scene they believe to be “related to the murderer”.

    According to Iran’s ISNA news agency, quoting the police headquarters, four suspects have been identified for their links with the case and two have been arrested.

    On Sunday, the Etemad newspaper included an interview with the film-maker’s wife saying she had been threatened and that their home had been burgled.

    “The investigation revealed that no complaints had been filed regarding the illegal entry into the Mehrjui’s family villa and the theft of their belongings”, said Fazeli-Harikandi.

    ‘Everything is political’In a statement, Iran’s minister of culture, Mohammad-Mehdi Esmaili, hailed Mehrjui as “one of the pioneers of Iranian cinema” and “the creator of eternal works”.

    Born on December 8, 1939 in Tehran, Mehrjui studied philosophy in the United States before his return to Iran where he launched a literary magazine and released his first film in 1967, “Diamond 33”, a parody of the James Bond series.

    The 83-year-old was indelibly associated with the Iranian new wave of cinema, with his 1969 film “The Cow” one of the movement’s first pictures.

    He then directed a string of well-regarded films including “Mr Gullible” (1970), “The Cycle” (1977) before leaving Iran in the wake of the 1979 Islamic revolution.

    Between 1980 and 1985, he lived in France where he worked on the documentary “Journey to the Land of Rimbaud” (1983).

    On returning to his homeland, he triumphed at the box office with “The Tenants” (1987).

    In 1990, he directed “Hamoun”, a dark comedy showing 24 hours in the life of an intellectual tormented by divorce and psychological anxieties in an Iran overwhelmed by the technology companies Sony and Toshiba.

    Throughout the 1990s, Mehrjui also depicted the lives of women in “Sara” (1993), “Pari” (1995) and “Leila” (1997), a melodrama about an infertile woman who encourages her husband to marry a second woman.

    In interviews with the Iranian media, Mehrjui said he was “greatly influenced” by Swedish filmmaker Ingmar Bergman and Italian Michelangelo Antonioni.

    “I don’t make directly political films to promote a particular ideology or point of view. But everything is political,” he once said.

    To Mehrjui, cinema was like “poetry, which cannot take sides with anyone” and he remained adamant that “art must not become a propaganda tool”.

    In addition to his cinema career, he translated works by the French playwright Eugene Ionesco and the German Marxist philosopher Herbert Marcuse into Persian.  Follow The New Indian Express channel on WhatsApp

    TEHRAN: One of Iran’s most prominent film-makers, Dariush Mehrjui, was stabbed to death on Saturday evening alongside his wife at their home near Tehran.

    A provincial chief justice said Mehrjui and his wife, Vahideh Mohammadifar, “were killed by multiple stab wounds to the neck”, the judiciary’s Mizan Online website said.

    According to Hossein Fazeli-Harikandi, chief justice of Alborz province near Tehran, Mehrjui sent a text message to his daughter, Mona, at about 9:00 pm local time (1730 GMT) inviting her for dinner at their home in Karaj, west of Tehran.googletag.cmd.push(function() {googletag.display(‘div-gpt-ad-8052921-2’); });

    But upon her arrival an hour and a half later, she found the bodies of her dead parents with fatal wounds to their necks.

    Later in the day, police said “no signs of forced entry can be seen at the crime scene”, adding that “no damage has been done to the doors” of their home.

    However, they said “traces have been found” at the scene they believe to be “related to the murderer”.

    According to Iran’s ISNA news agency, quoting the police headquarters, four suspects have been identified for their links with the case and two have been arrested.

    On Sunday, the Etemad newspaper included an interview with the film-maker’s wife saying she had been threatened and that their home had been burgled.

    “The investigation revealed that no complaints had been filed regarding the illegal entry into the Mehrjui’s family villa and the theft of their belongings”, said Fazeli-Harikandi.

    ‘Everything is political’
    In a statement, Iran’s minister of culture, Mohammad-Mehdi Esmaili, hailed Mehrjui as “one of the pioneers of Iranian cinema” and “the creator of eternal works”.

    Born on December 8, 1939 in Tehran, Mehrjui studied philosophy in the United States before his return to Iran where he launched a literary magazine and released his first film in 1967, “Diamond 33”, a parody of the James Bond series.

    The 83-year-old was indelibly associated with the Iranian new wave of cinema, with his 1969 film “The Cow” one of the movement’s first pictures.

    He then directed a string of well-regarded films including “Mr Gullible” (1970), “The Cycle” (1977) before leaving Iran in the wake of the 1979 Islamic revolution.

    Between 1980 and 1985, he lived in France where he worked on the documentary “Journey to the Land of Rimbaud” (1983).

    On returning to his homeland, he triumphed at the box office with “The Tenants” (1987).

    In 1990, he directed “Hamoun”, a dark comedy showing 24 hours in the life of an intellectual tormented by divorce and psychological anxieties in an Iran overwhelmed by the technology companies Sony and Toshiba.

    Throughout the 1990s, Mehrjui also depicted the lives of women in “Sara” (1993), “Pari” (1995) and “Leila” (1997), a melodrama about an infertile woman who encourages her husband to marry a second woman.

    In interviews with the Iranian media, Mehrjui said he was “greatly influenced” by Swedish filmmaker Ingmar Bergman and Italian Michelangelo Antonioni.

    “I don’t make directly political films to promote a particular ideology or point of view. But everything is political,” he once said.

    To Mehrjui, cinema was like “poetry, which cannot take sides with anyone” and he remained adamant that “art must not become a propaganda tool”.

    In addition to his cinema career, he translated works by the French playwright Eugene Ionesco and the German Marxist philosopher Herbert Marcuse into Persian.
      Follow The New Indian Express channel on WhatsApp

  • Tehran bars Iranian filmmaker Reza Dormishian from attending IFFI

    By Express News Service

    Iranian film A Minor, directed by Dariush Mehrjui, was screened at the competition section of the ongoing International Film Festival of India (IFFI) on Thursday and Friday. However, the film’s producer Reza Dormishian, also a celebrated filmmaker, has been barred by Tehran from travelling to the IFFI, reports Variety.

    A Minor tells a story of a woman who is torn between her free-thinking daughter, who wants to study music, and her more conservative husband.

    Dormishian is the latest member of Iran’s film community to be sanctioned by the Iranian regime for expressing anti-government views. He had been invited by the IFFI to accompany the film. However, the Iranian authorities did not grant him a permit to leave Iran. When Dormishian went to the airport, his passport was confiscated.

    It is not clear if Dormishian was arrested or what charges he must answer. The actions against him are understood to be directly connected to his social media commentary about the Iranian government over the last few weeks.

    “Throughout the nationwide protests in Iran, Dormishian shared various posts on his Instagram account to show support for the significant developments,” Variety reporting, quoting sources close to the director-producer.

    Iran is in turmoil following the death in September of a 22-year-old Kurdish woman Mahsa Amini in police custody. She had been arrested in Tehran because she allegedly breached the Islamic Republic’s strict dress code for women.

    (This story originally appeared in Cinema Express)

    Iranian film A Minor, directed by Dariush Mehrjui, was screened at the competition section of the ongoing International Film Festival of India (IFFI) on Thursday and Friday. However, the film’s producer Reza Dormishian, also a celebrated filmmaker, has been barred by Tehran from travelling to the IFFI, reports Variety.

    A Minor tells a story of a woman who is torn between her free-thinking daughter, who wants to study music, and her more conservative husband.

    Dormishian is the latest member of Iran’s film community to be sanctioned by the Iranian regime for expressing anti-government views. He had been invited by the IFFI to accompany the film. However, the Iranian authorities did not grant him a permit to leave Iran. When Dormishian went to the airport, his passport was confiscated.

    It is not clear if Dormishian was arrested or what charges he must answer. The actions against him are understood to be directly connected to his social media commentary about the Iranian government over the last few weeks.

    “Throughout the nationwide protests in Iran, Dormishian shared various posts on his Instagram account to show support for the significant developments,” Variety reporting, quoting sources close to the director-producer.

    Iran is in turmoil following the death in September of a 22-year-old Kurdish woman Mahsa Amini in police custody. She had been arrested in Tehran because she allegedly breached the Islamic Republic’s strict dress code for women.

    (This story originally appeared in Cinema Express)