Tag: Bradley Cooper

  • Netflix shares official trailer of biographical romance Maestro

    By Online Desk

    Netflix has shared the official trailer for Maestro, the second directorial venture by actor Bradley Cooper, in which he portrays the role of music composer Leonard Bernstein. 

    The film, which Cooper has co-written and produced, focuses on the acclaimed music composer’s relationship with his wife Felicia Montealegre, and their 25 year long marriage.Carry Mulligan, who starred in films like She Said will appear as Montealegre. 

    The film produced by famous Director Martin Scorcese also stars Stranger things actor Maya Hawke, sam Nivola, Sarah Silverman, and Matt Bomer.

    A Star is Born, Cooper’s directorial debut starring himself and Lady Gaga, was nominated for multiple awards at the 2018 Academy awards including the Best picture.

    Prior to its theatrical release in November, Maestro will be premiered at  the Venice Film Festival next month. The film will be available on Netflix from December 20.

    Netflix has shared the official trailer for Maestro, the second directorial venture by actor Bradley Cooper, in which he portrays the role of music composer Leonard Bernstein. 

    The film, which Cooper has co-written and produced, focuses on the acclaimed music composer’s relationship with his wife Felicia Montealegre, and their 25 year long marriage.Carry Mulligan, who starred in films like She Said will appear as Montealegre. 

    The film produced by famous Director Martin Scorcese also stars Stranger things actor Maya Hawke, sam Nivola, Sarah Silverman, and Matt Bomer.googletag.cmd.push(function() {googletag.display(‘div-gpt-ad-8052921-2’); });

    A Star is Born, Cooper’s directorial debut starring himself and Lady Gaga, was nominated for multiple awards at the 2018 Academy awards including the Best picture.

    Prior to its theatrical release in November, Maestro will be premiered at  the Venice Film Festival next month. The film will be available on Netflix from December 20.

  • Venice Film Festival unveils A-list lineup with ‘Priscilla,’ ‘Ferrari,’ ‘Maestro’ amid strikes

    By Associated Press

    Bradley Cooper’s Leonard Bernstein drama “Maestro,” Sofia Coppola’s Priscilla Presley movie, Michael Mann’s “Ferrari,” David Fincher’s “The Killer” and Ava DuVernay’s “Origin” will make their world debuts at the Venice International Film Festival this fall.

    Organizers announced the lineup Tuesday for the 80th edition of the festival, which — despite the flashy names behind the films — could have a little less Hollywood glamour than usual gracing its picturesque docks and red carpet come September if the Hollywood actors and writers strikes stretch on. As part of the strike, actors cannot promote projects from the studios and streamers with whom the union is negotiating.

    The prestigious film festival already lost one high-profile premiere to the labor disputes in the U.S. in Luca Guadagnino’s tennis drama “Challengers, ” starring Zendaya, which had been set to play in the opening night slot but has now been pushed to 2024. But Alberto Barbera, the director of the Venice Film Festival, said Tuesday that the strikes’ effects on the festival lineup had otherwise been minimal.

    “Priscilla,” an A24 film based on Priscilla Presley’s memoir “Elvis and Me,” stars Cailee Spaeny and Jacob Elordi and was widely expected to be in the festival. Coppola also launched “Somewhere” in Venice in 2010. “Priscilla” will be competing for the Golden Lion alongside “Ferrari,” the buzzy racing drama starring Adam Driver as Enzo Ferrari, and Penélope Cruz as his wife Laura, based on Brock Yates’ biography.

    Yorgos Lanthimos’ highly anticipated “Poor Things,” with Emma Stone and Mark Ruffalo, will also have its bow on the Lido. Lanthimos previously launched “The Favorite” at Venice in 2019; it would go on to score 10 Oscar nominations and win one.

    DuVernay’s film, “Origin,” meanwhile, is based on the book “Caste” and the life of its author, Pulitzer winner Isabel Wilkerson. The movie stars Aunjanue Ellis-Taylor.

    Netflix will once again have a big presence at the festival with “Maestro,” directed by and starring Cooper as the legendary composer, opposite Carey Mulligan as Felicia Montealegre, and Fincher’s “The Killer,” with Michael Fassbender playing an assassin. The streamer is also bringing Pablo Larraín’s “El Conde,” a dark comedy in which Augusto Pinochet is a vampire, as part of the competition titles.

    Another buzzy competition title is Michel Franco’s “Memory,” with Jessica Chastain and Peter Skarsgaard.

    Venice has never been a festival to shy away from controversial directors and has programmed new films from both Roman Polanski and Woody Allen.

    Polanski is back for the first time since 2019 with “The Palace,” about a New Year’s Eve in 1999 in a Swiss hotel, with John Cleese and Mickey Rourke. Allen is debuting his first French movie, “Coup de Chance.” Luc Besson, who was recently cleared of charges in a rape case, will also be on the Lido with “Dogman,” starring Caleb Landry Jones.

    The jury presiding over the main competition this year is full of high-profile directors, including Damien Chazelle, Jane Campion, Martin McDonagh and last year’s Golden Lion winner Laura Poitras.

    In addition to the Polanski and Allen films, also playing out of competition are Wes Anderson’s Roald Dahl-inspired “The Wonderful Story of Henry Sugar” with Benedict Cumberbatch, Dev Patel and Ralph Fiennes; Harmony Korine’s “Aggro Dr1ft”; Richard Linklater’s “Hit Man”; Frederick Wiseman’s “Menus Plaisirs – Les Troisgros”; and William Friedkin’s “The Caine Mutiny Court-Marshall.”

    Venice is a top launching ground for awards hopefuls and has, in recent years, debuted Oscar-nominated films like “The Whale,” “The Banshees of Inisherin,” “Tár,” “The Power of the Dog,” “A Star is Born” and “La La Land.” It’s also the first major stop of the busy fall film festival season, with Toronto, Telluride and the New York Film Festivals close behind.

    Like the Cannes Film Festival, celebrity is a huge part of the Venice iconography: Think of Lady Gaga perched on the side of a water taxi in her black Jonathan Simkhai bustier dress, or Timothée Chalamet vamping in that backless red halter top by Haider Ackermann. Last year there were also viral moments aplenty thanks to the cast of “Don’t Worry Darling” and the alleged “spit-gate,” in which internet spectators wondered if Harry Styles had spit on his co-star Chris Pine at the film’s premiere.

    It remains unclear whether any Hollywood talent will be able to make the journey this year. Barbera said at this point that some actors and actresses will not be able to attend but, without getting specific, said that talent from independent fare will be able to grace the red carpets and press conferences.

    The Venice Film Festival runs from Aug. 30 through Sept. 9. 

    Bradley Cooper’s Leonard Bernstein drama “Maestro,” Sofia Coppola’s Priscilla Presley movie, Michael Mann’s “Ferrari,” David Fincher’s “The Killer” and Ava DuVernay’s “Origin” will make their world debuts at the Venice International Film Festival this fall.

    Organizers announced the lineup Tuesday for the 80th edition of the festival, which — despite the flashy names behind the films — could have a little less Hollywood glamour than usual gracing its picturesque docks and red carpet come September if the Hollywood actors and writers strikes stretch on. As part of the strike, actors cannot promote projects from the studios and streamers with whom the union is negotiating.

    The prestigious film festival already lost one high-profile premiere to the labor disputes in the U.S. in Luca Guadagnino’s tennis drama “Challengers, ” starring Zendaya, which had been set to play in the opening night slot but has now been pushed to 2024. But Alberto Barbera, the director of the Venice Film Festival, said Tuesday that the strikes’ effects on the festival lineup had otherwise been minimal.googletag.cmd.push(function() {googletag.display(‘div-gpt-ad-8052921-2′); });

    “Priscilla,” an A24 film based on Priscilla Presley’s memoir “Elvis and Me,” stars Cailee Spaeny and Jacob Elordi and was widely expected to be in the festival. Coppola also launched “Somewhere” in Venice in 2010. “Priscilla” will be competing for the Golden Lion alongside “Ferrari,” the buzzy racing drama starring Adam Driver as Enzo Ferrari, and Penélope Cruz as his wife Laura, based on Brock Yates’ biography.

    Yorgos Lanthimos’ highly anticipated “Poor Things,” with Emma Stone and Mark Ruffalo, will also have its bow on the Lido. Lanthimos previously launched “The Favorite” at Venice in 2019; it would go on to score 10 Oscar nominations and win one.

    DuVernay’s film, “Origin,” meanwhile, is based on the book “Caste” and the life of its author, Pulitzer winner Isabel Wilkerson. The movie stars Aunjanue Ellis-Taylor.

    Netflix will once again have a big presence at the festival with “Maestro,” directed by and starring Cooper as the legendary composer, opposite Carey Mulligan as Felicia Montealegre, and Fincher’s “The Killer,” with Michael Fassbender playing an assassin. The streamer is also bringing Pablo Larraín’s “El Conde,” a dark comedy in which Augusto Pinochet is a vampire, as part of the competition titles.

    Another buzzy competition title is Michel Franco’s “Memory,” with Jessica Chastain and Peter Skarsgaard.

    Venice has never been a festival to shy away from controversial directors and has programmed new films from both Roman Polanski and Woody Allen.

    Polanski is back for the first time since 2019 with “The Palace,” about a New Year’s Eve in 1999 in a Swiss hotel, with John Cleese and Mickey Rourke. Allen is debuting his first French movie, “Coup de Chance.” Luc Besson, who was recently cleared of charges in a rape case, will also be on the Lido with “Dogman,” starring Caleb Landry Jones.

    The jury presiding over the main competition this year is full of high-profile directors, including Damien Chazelle, Jane Campion, Martin McDonagh and last year’s Golden Lion winner Laura Poitras.

    In addition to the Polanski and Allen films, also playing out of competition are Wes Anderson’s Roald Dahl-inspired “The Wonderful Story of Henry Sugar” with Benedict Cumberbatch, Dev Patel and Ralph Fiennes; Harmony Korine’s “Aggro Dr1ft”; Richard Linklater’s “Hit Man”; Frederick Wiseman’s “Menus Plaisirs – Les Troisgros”; and William Friedkin’s “The Caine Mutiny Court-Marshall.”

    Venice is a top launching ground for awards hopefuls and has, in recent years, debuted Oscar-nominated films like “The Whale,” “The Banshees of Inisherin,” “Tár,” “The Power of the Dog,” “A Star is Born” and “La La Land.” It’s also the first major stop of the busy fall film festival season, with Toronto, Telluride and the New York Film Festivals close behind.

    Like the Cannes Film Festival, celebrity is a huge part of the Venice iconography: Think of Lady Gaga perched on the side of a water taxi in her black Jonathan Simkhai bustier dress, or Timothée Chalamet vamping in that backless red halter top by Haider Ackermann. Last year there were also viral moments aplenty thanks to the cast of “Don’t Worry Darling” and the alleged “spit-gate,” in which internet spectators wondered if Harry Styles had spit on his co-star Chris Pine at the film’s premiere.

    It remains unclear whether any Hollywood talent will be able to make the journey this year. Barbera said at this point that some actors and actresses will not be able to attend but, without getting specific, said that talent from independent fare will be able to grace the red carpets and press conferences.

    The Venice Film Festival runs from Aug. 30 through Sept. 9.
     

  • Bradley Cooper to star in Steven Spielberg’s next

    By Express News Service

    Actor Bradley Cooper is set to star in filmmaker Steven Spielberg’s upcoming film. The feature is based on the character Frank Bullitt, the no-nonsense San Francisco cop played by Steve McQueen in the 1968 action-thriller Bullitt.

    Josh Singer is writing the screenplay for the film, which is currently in development at Warner Bros.Though plot details haven’t been revealed, the forthcoming production is expected to follow Bullitt on an entirely different exploit than the McQueen original’s, reports Variety.

    Warner Bros released the original Bullitt, which was directed by Peter Yates and based on the 1963 novel Mute Witness. In what became McQueen’s most notable role, he portrayed a detective who investigates the death of a mob informant he was hired to protect.

    The film is famous for including one of the most iconic and exciting car chases in cinema history with McQueen doing his own stunts in a modified Ford Mustang. Bullitt became a critical and commercial smash, generating $42 million on a $4 million budget and winning one Oscar.

    Cooper will produce the still-untitled movie with Spielberg and Kristie Macosko Krieger, marking their second collaboration following the upcoming Leonard Bernstein biopic Maestro. McQueen’s son Chad McQueen and granddaughter Molly McQueen will executive produce.

    Meanwhile, Spielberg’s latest movie The Fabelmans, a semi-autobiographical story about growing up as a film lover, opened in theatres earlier in November.

    Actor Bradley Cooper is set to star in filmmaker Steven Spielberg’s upcoming film. The feature is based on the character Frank Bullitt, the no-nonsense San Francisco cop played by Steve McQueen in the 1968 action-thriller Bullitt.

    Josh Singer is writing the screenplay for the film, which is currently in development at Warner Bros.Though plot details haven’t been revealed, the forthcoming production is expected to follow Bullitt on an entirely different exploit than the McQueen original’s, reports Variety.

    Warner Bros released the original Bullitt, which was directed by Peter Yates and based on the 1963 novel Mute Witness. In what became McQueen’s most notable role, he portrayed a detective who investigates the death of a mob informant he was hired to protect.

    The film is famous for including one of the most iconic and exciting car chases in cinema history with McQueen doing his own stunts in a modified Ford Mustang. Bullitt became a critical and commercial smash, generating $42 million on a $4 million budget and winning one Oscar.

    Cooper will produce the still-untitled movie with Spielberg and Kristie Macosko Krieger, marking their second collaboration following the upcoming Leonard Bernstein biopic Maestro. McQueen’s son Chad McQueen and granddaughter Molly McQueen will executive produce.

    Meanwhile, Spielberg’s latest movie The Fabelmans, a semi-autobiographical story about growing up as a film lover, opened in theatres earlier in November.

  • Actor Bradley Cooper to return as Rocket Racoon for Disney+ series ‘I Am Groot’

    By Express News Service

    Actor Bradley Cooper who previously voiced Rocket Racoon in the Guardians of the Galaxy films is returning for a spin-off show titled ‘I Am Groot’. The actor was previously seen in the Marvel Cinematic Universe voicing Rocket Racoon, which was brought to life through a combination of VFX and animatronics. 

    The Disney+Hotstar show, a series of short stories based on the adventures of the tree-like alien creature Groot, is set to premiere on 10 August 2022. Cooper voices an intelligent, talking raccoon-like creature who specialises in creating explosives. 

    Actor Bradley Cooper who previously voiced Rocket Racoon in the Guardians of the Galaxy films is returning for a spin-off show titled ‘I Am Groot’. The actor was previously seen in the Marvel Cinematic Universe voicing Rocket Racoon, which was brought to life through a combination of VFX and animatronics. 

    The Disney+Hotstar show, a series of short stories based on the adventures of the tree-like alien creature Groot, is set to premiere on 10 August 2022. Cooper voices an intelligent, talking raccoon-like creature who specialises in creating explosives. 

  • Netflix releases first stills from Leonard Bernstein biopic ‘Maestro’ 

    By PTI

    LOS ANGELES:  Netflix has released the first images from its upcoming film “Maestro”, based on the life of legendary composer Leonard Bernstein and starring Bradley Cooper and Carey Mulligan.

    Cooper plays Bernstein and Mulligan stars as stage and TV actor Felicia Montealegre Cohn Bernstein, the wife of the late conductor. The streamer on Monday shared four pictures from the set of “Maestro” on social media which trace the life of a young Bernstein (Cooper) with his wife Felicia (Mulligan). The stills also showcase Cooper as an elderly Bernstein as he conducts an orchestra.

    According to Netflix, “Maestro” will chronicle 30 years of Bernstein’s life who rose to fame after he was tasked with conducting the New York Philharmonic when he was 25. His career skyrocketed when he wrote and composed the music for the iconic Steven Spielberg film “West Side Story”.

    The movie portrays a love story between Leonard and Felicia from when they met in 1946 and through a 25-year marriage and three children: Jamie Bernstein, Alexander Bernstein and Nina Bernstein Simmons.

    From the set of Maestro pic.twitter.com/RFSZb1aX1i
    — Netflix (@netflix) May 30, 2022
    “Maestro” also marks Cooper’s first directorial effort since 2018’s “A Star Is Born”, another film on a musical artist in which he also starred.

    The upcoming film also stars Maya Hawke and Matt Bomer and features a script co-written by Cooper and Academy Award-winning scribe Josh Singer of “Spotlight” fame.

    “Maestro” is produced by Cooper, Martin Scorsese, Spielberg, Kristie Macosko Krieger, Fred Berner, and Amy Durning. Netflix has yet to announce a release date for the film.

  • Maya joins Bradley Cooper directorial 

    By Express News Service

    Maya Hawke has joined the cast of Netflix’s upcoming biopic drama, Maestro, on legendary composer Leonard Bernstein. The film has Bradley Cooper directing and starring as Bernstein. Cooper has also written the film along with Josh Singer.

    The drama tells the life story of Bernstein, over a span of 30 years, from his conducting debut at the New York Philharmonic at 25, when he performed without rehearsing when the scheduled conductor took ill. Bernstein did so well his star was launched the next day when his feat made the front page of The New York Times. He was blacklisted before being cleared of being a communist just before he composed the Oscar-nominated score for On the Waterfront. He was also an activist in the civil rights movement and was outspoken on issues including ending the Vietnam War.

    The film will centre on the beautiful, complex story of the marriage between Bernstein and his wife, Felicia. The story spans from the time they met in 1946 at a party and continues through two on-off engagements, a 25-year marriage, three children (Jamie, Alexander and Nina) and as Bernstein grappled with his own sexual orientation.

    Hawke will play the role of Bernstein’s daughter Jamie. Actor Carey Mulligan is set to play Felicia in the feature. Actor Matt Bomer is also a part of the cast. Maestro will be produced by Martin Scorsese, Steven Spielberg, Kristie Macosko Krieger, Fred Berner and Amy Durning.

  • Actor Matt Bomer in talks to join Bradley Cooper’s Maestro

    By Express News Service

    Doom Patrol and The Sinner-actor Matt Bomer is in negotiations to join the cast of Netflix’s upcoming biopic drama, Maestro, on legendary composer Leonard Bernstein. The film has Bradley Cooper directing and starring as Bernstein. Cooper has also written the film along with Josh Singer.

    The drama tells the life story of Bernstein, over a span of 30 years, from his conducting debut at the New York Philharmonic at 25, when he performed without rehearsing when the scheduled conductor took ill. Bernstein did so well his star was launched the next day when his feat made the front page of The New York Times. 

    He was blacklisted before being cleared of being a communist just before he composed the Oscar-nominated score for On the Waterfront. He was also a civil rights activist and was outspoken on issues including ending the Vietnam War. 

  • INTERVIEW | Not a nightmare of a movie: Cate Blanchett on Nightmare Alley

    Express News Service

    Tell us about your character in Nightmare Alley.

    I play a psychiatrist called Lilith Ritter who is very interested in the life of the mind and who gets involved with a powerfully hollow man who is a carny and a mind-reader, played by Bradley Cooper. They have a fateful encounter where she tries to expose himself to himself. 

    Would it have been unusual for women to be psychologists in the 1940s?Actually, there were a lot of women involved in psycho-analysis at that point, they just weren’t recognised.

    What attracted you to this role?Getting to work with the fantastic Bradley Cooper and, of course, Guillermo del Toro. The character is secondary to that. 

    Did the experience of working with him live up to your expectations?Absolutely. I had long wanted to work with Guillermo. I admire him so much, not only as a filmmaker but as a human being. He’s so generous and while some of the worlds he creates are grotesque, nightmarish and dark, as the title Nightmare Alley suggests, he really holds the hand of actors and the audience. He is such a great person to go through the horror tunnel with. This was once-in-a-lifetime experience. 

    How was it reuniting with Carol co-star Rooney Mara?It’s so lovely. In theatre you often get to work with directors and actors again but it doesn’t always happen in film. Carol was an important film to certain people. You have got a brunette and a blonde, so they are bound to sleep together, right? (laughs) Guillermo understands that history. It’s fascinating to watch and work with a filmmaker who really gets that sense of the collective while focussing on a really singular vision. 

    What was it like to work with Bradley Cooper?It was fantastic. He’s a great actor and, as one of the producers on this, he was really invested in everything. It was a really difficult part for him to play a character so devoid of any moral compass because he is such a warm and charismatic person. Bradley is all about truth and kindness so I think it was a big stretch for him. 

    How did you go about getting into character?Much of the work was done for me by having the good fortune to work with such an amazing director, incredible production designers, costume designers and art department. I walked onto that set for the first time and I went, ‘Oh, it’s a Rorschach test.’ It was like the character physically manifested in the environment I was in. You just needed to show up and play your role because so much of the atmosphere and the internal life of the character was given to you. It was fascinating.

     still from her latest film Nightmare Alley

    Did you try any psychoanalysis yourself?I did a little bit. I wasn’t very good at it. I was actually in the room and I thought, ‘I can’t get on the couch because once I do, it’s going to get really messy!’ When the moment came for Bradley to lay on the couch, it was like suddenly the temperature dropped. All I had to do was hold his head and let it all come out of him. I didn’t do anything. 

    Did you do anything to lighten the mood between such heavy scenes?Fortunately, it was pre-pandemic so we actually did regular things like go out to dinner with one another, rehearse and not wear masks (laughs). When the pandemic hit, all of my stuff had been filmed in the old-fashioned way where you could actually look into the cinematographer’s and the camera operator’s eyes, and see their noses! But then they had to stop and I think things became quite different then. But yeah, we had dinner together which is something I really miss doing. 

    How do you know when a film is going to be successful?To this day no one knows what is going to work and what is not. You embark on projects that don’t work in the same way that you embark on projects that find an audience. For me, it’s always a conversation that you have with a filmmaker, other actors, the crew, the designers. The unusual is always intoxicating to me and this is unusual. 

    What do you hope audiences take away from this film?First of all, I hope people get to see it in the cinema because this film is pure cinema. There is a lot to take away from the film about the world in which we have found ourselves and the importance of being honest about who you are with the people that you purport to serve. The film got all the joys and thrills of a noir but it’s really contemporary and so beautiful.

    (Asia Features) 

  • Bradley Cooper: How I make a living has been changed by streaming

    By IANS

    LOS ANGELES: Hollywood star Bradley Cooper says streaming has changed how he makes a living but he is grateful to Netflix for taking chances on movies that other companies wouldn’t make.Speaking to Kim Masters on her KCRW show ‘The Business’, he said: “On a personal level, how I can make a living has completely changed. The upside (with taking a smaller upfront payment in exchange for a cut of the profits), if it was successful, is that I would be paid a lot more. Those days are completely gone and there is trepidation I have with that. No question, no question.”However, Cooper is grateful to streaming services like Netflix for taking a chance on movies, which he thinks would previously not have been made, such as his upcoming Leonard Bernstein biopic ‘Maestro’ co-starring Jeremy Strong and Carey Mulligan, reports femalefirst.co.uk.He said: “I’m just so lucky that Netflix is going to pay for the movie. But that’s just so the movie can get made but there’s no back end. That’s for the love of the game. That’s why I’m doing that movie and I’m so grateful that they’re allowing me to make it. Scott Stuber (head of the original film at Netflix), thank the Lord.”Netflix is the only place that would make that movie.”Cooper doesn’t believe that where a movie is seen can affect how it is received.He explained: “The thing that I always go back to, great content will hit you right between the eyes, no matter what it is, if it’s an incredible haiku. It can stay with you for years and change your life.”The movies that changed my life and inspired me to do what I do for a vocation were ‘The Elephant Man’, ‘Godfather’, ‘Apocalypse Now’, ‘Shampoo’, ‘Coming Home’ and ‘Deer Hunter’. All of those movies I saw on a 16-inch television set.”

  • Bradley Cooper launches production house; set to back ‘Hyperion’ at Warner Bros

    By PTI

    LOS ANGELES: Oscar-nominated actor Bradley Cooper is teaming up with Weston Middleton, who served as the associate producer on his directorial “A Star Is Born”, to launch a new production banner.

    Cooper and Middleton are working on a name for their company.

    According to Deadline, under the new shingle the duo will back “Hyperion”, based on the four-volume series of Dan Simmons novels.

    “Hyperion”, a project Cooper has had long in the works, will now be adapted as a feature film at Warner Bros Pictures and not a limited series at Syfy as it was previously conceived.

    Oscar winner Graham King is attached to produce the movie under his GK Films and will be adapted by Tom Spezialy, the Emmy-winning executive producer behind HBO’s limited series “Watchmen”.

    Published by Bantam Spectra, the ‘Hyperion Cantos’ series is set 700 years after the death of Old Earth, where the entire galaxy is at war.

    Seven strangers set forth on a journey to unlock the mysteries of the planet Hyperion’s Time Tombs — each convinced that they alone carry the key to saving humanity.

    There are four books in the series: “Hyperion” (1989), “The Fall of Hyperion” (1990), “Endymion” (1996) and “The Rise of Endymion” (1997).

    While a search for a director is underway, executive producer Hayley King (“Departed”) will oversee the project on behalf of GK films.

    Cooper had a six-year deal with Todd Phillips and Warner Bros that concluded in 2019 with back-to-back commercial and critically acclaimed films like “A Star Is Born” and “Joker”, fronted by Joaquin Phoenix.

    The actor has a first-look deal with Netflix, where he is making his new film, “Maestro” on legendary composer Leonard Bernstein, which is in pre-production.