Tag: Barbie

  • Oscars 2024: Oppenheimer To Poor Things, A Look At The Complete List Of Nominees | Movies News

    New Delhi: The 96th annual Academy Awards are scheduled to take place at the Dolby Theater in Hollywood, Los Angeles on March 10, reported Deadline.

    With 13 nominations in total, director Christopher Nolan's biopic 'Oppenheimer' leads the nominations list, followed by 'Poor Things' with 11 noms and Martin Scorsese's 'Killers of the Flower Moon' with 10.

    Big names like Jodie Foster, Emma Stone, Ryan Gosling, Robert De Niro, Bradley Cooper, and Robert Downey Jr. are among the actors nominated.

    See the full list of nominees below:

    1. Best Picture American Fiction Anatomy of a Fall Barbie The Holdovers Killers of the Flower Moon Maestro Oppenheimer Past Lives Poor Things The Zone of Interest

    2. Actor in a Leading Role Bradley Cooper Colman Domingo Paul Giamatti Cillian Murphy Jeffrey Wright

    3. Actress in a Leading Role Annette Bening Lily Gladstone Sandra Huller Carey Mulligan Emma Stone

    4. Actor in a Supporting Role Sterling K Brown Robert De Niro Robert Downey Jr Ryan Gosling Mark Ruffalo

    5. Actress in a Supporting Role Emily Blunt Danielle Brooks America Ferrera Jodie Foster Da'Vine Joy Randolph

    6. Directing Justine Triet Martin Scorsese Christopher Nolan Yorgos Lanthimos Jonathan Glazer

    7. Writing (Adapted Screenplay) American Fiction Barbie Oppenheimer Poor Things The Zone of Interest

    8. Writing (Original Screenplay) Anatomy of a Fall The Holdovers Maestro May December Past Lives

    9. International Feature Film Io Capitano Perfect Days Society of the Snow The Teachers' Lounge The Zone of Interest

    10. Animated Feature Film The Boy and the Heron Elemental Nimona Robot Dreams Spider-Man: Across the Spider-Verse

    11. Documentary Feature Film Bobi Wine: The People's President The Eternal Memory Four Daughters To Kill a Tiger 20 Days in Mariupol

    12. Live Action Short Film The Actor Invincible Knight of Fortune Red, White and Blue The Wonderful Story of Henry Sugar

    13. Documentary Short Film The ABCs of Book Banning The Barber of Little Rock The Island In Between The Last Repair Shop Nai Nai and Wai Po

    14. Animated Short Film Letter to a Pig Ninety-Five Senses Our Uniform Pachyderme War Is Over!

    15. Film Editing Anatomy of a Fall The Holdovers Killers of the Flower Moon Oppenheimer Poor Things

    16. Production Design Barbie Killers of the Flower Moon Napoleon Oppenheimer Poor Things

    17. Costume Design Barbie Killers of the Flower Moon Napoleon Oppenheimer Poor Things

    18. Music (Original Score) American Fiction Indiana Jones and the Dial of Destiny Killers of the Flower Moon Oppenheimer Poor Things

    19. Music (Original Song) The Fire Inside I'm Just Ken It Never Went Away Wahzhazhe (A Song for My People) What Was I Made For?

    20. Makeup and Hairstyling Golda Maestro Oppenheimer Poor Things Society of the Snow

    21. Sound The Creator Maestro Mission: Impossible – Dead Reckoning Part One Oppenheimer The Zone of Interest

    22. Visual Effects The Creator Godzilla Minus One Guardians of the Galaxy Vol 3 Mission: Impossible – Dead Reckoning Part One Napoleon

  • MWC 2024: HMD Announces Barbie Flip Phone

    Feature phones are making a comeback with HMD reporting Flip Phone sales alone more than doubled in Europe (2022 vs 2023) and expects further growth in 2024.

  • Oscar 2024: ‘Barbie’ Gets Snubbed At The Nominations- List Of Nominees For The 96th Academy Awards | Movies News

    Being recognized by the Academy is a dream come true and a nomination can be life-changing, said actors Zazie Beetz and Jack Quaid as they took to the stage to announce nominations for the 96th Academy Awards, The Oscars, on January 23rd.

    The two films, which dominated the box office last year and became known as the cultural phenomenon “Barbenheimer”, the battle lines had been clearly defined between Christopher Nolan’s Oppenheimer and Greta Gerwig’s, Barbie. However the nominations snubbed Barbie in the major categories, Nolan who has been leading the show in the awards circuit so far, seems all set for Oscar glory

    With Hollywood having been in turmoil with the biggest strike bringing the industry to a standstill, the hosts were categorical that celebrating writers was the need of the day.

    The Nominations for Oscars 2024 are as follows

    Best actor

    Bradley Cooper, Maestro

    Colman Domingo, Rustin

    Paul Giamatti, The Holdovers

    Cillian Murphy, Oppenheimer

    Jeffrey Wright, American Fiction

    Best Actress

    Annette Bening, Nyad

    Lily Gladstone, Killers of the Flower Moon

    Sandra Hüller, Anatomy of a Fall

    Carey Mulligan, Maestro

    Emma Stone, Poor Things

    Best director

    Justine Triet, Anatomy of a Fall

    Martin Scorsese, Killers of the Flower Moon

    Christopher Nolan, Oppenheimer

    Yorgos Lanthimos, Poor Things

    Jonathan Glazer, The Zone of Interest

    Best Supporting Actor

    Sterling K. Brown, American Fiction

    Robert De Niro, Killers of the Flower Moon

    Robert Downey Jr., Oppenheimer

    Ryan Gosling, Barbie

    Mark Ruffalo, Poor Things

    Best Supporting Actress

    Emily Blunt, Oppenheimer

    Danielle Brooks, The Color Purple

    America Ferrera, Barbie

    Jodie Foster, Nyad Da’Vine

    Joy Randolph, The Holdovers

    best pictures

    American Fiction

    Anatomy of a Fall

    Barbie

    The Holdovers

    Killers of the Flower Moon

    Maestro

    Oppenheimer

    Past Lives

    Poor Thing

    The Zone of Interest

    Best Original Screenplay

    Anatomy of a Fall

    The Holdovers

    Maestro

    May December

    Past Lives

    Best Adapted Screenplay

    American Fiction

    Barbie

    Oppenheimer

    Poor Things

    The Zone of Interest

    The Oscars will be announced on March 10

  • ‘It’s hard, I’m having nightmares’: Greta Gerwig on next film project

    By Express News Service

    Barbie grossed a whopping $1 billion in the global box office, making Greta Gerwig the only solo female director to achieve that feat.

    Speaking at a Q&A as part of the London Film Festival, Gerwig talked about her next project, though crucially didn’t reveal any details about what that might actually be. She said, “I’m working on something right now. It’s hard and I’m having recurring nightmares.”

    Speaking on the response her film has been receiving, she said, “It’s been incredible.” She also added that during the film’s opening weekend, she covertly travelled around cinemas in New York and instructed staff on how to best present her film.

    “I went around theatres, stood in the back, and turned up the volume if I felt it wasn’t playing at the perfect level,” she said. “It was the most thrilling thing.” 

    Recalling how she was asked if I’m Just Ken dance was necessary, the Little Women director said, “There was a big meeting that was like, ‘Do you need this?’ And I was like, ‘Everything in me needs this.’ They were like, ‘What do you even mean? What is a dream ballet?’ And I was like, ‘A dream ballet? Where do I begin!’”

    Barbie stars Margot Robbie as the titular character and Ryan Gosling as Ken and follows the pair on a journey of self-discovery following an existential crisis. It features a supporting cast that includes America Ferrera, Kate McKinnon, Issa Rae, Rhea Perlman, and Will Ferrell.

    Gerwig is a co-writer on Disney’s upcoming Snow White, directed by Marc Webb and currently in post-production ahead of a release on March 24, 2024.  

    Barbie grossed a whopping $1 billion in the global box office, making Greta Gerwig the only solo female director to achieve that feat.

    Speaking at a Q&A as part of the London Film Festival, Gerwig talked about her next project, though crucially didn’t reveal any details about what that might actually be. She said, “I’m working on something right now. It’s hard and I’m having recurring nightmares.”

    Speaking on the response her film has been receiving, she said, “It’s been incredible.” She also added that during the film’s opening weekend, she covertly travelled around cinemas in New York and instructed staff on how to best present her film.googletag.cmd.push(function() {googletag.display(‘div-gpt-ad-8052921-2’); });

    “I went around theatres, stood in the back, and turned up the volume if I felt it wasn’t playing at the perfect level,” she said. “It was the most thrilling thing.” 

    Recalling how she was asked if I’m Just Ken dance was necessary, the Little Women director said, “There was a big meeting that was like, ‘Do you need this?’ And I was like, ‘Everything in me needs this.’ They were like, ‘What do you even mean? What is a dream ballet?’ And I was like, ‘A dream ballet? Where do I begin!’”

    Barbie stars Margot Robbie as the titular character and Ryan Gosling as Ken and follows the pair on a journey of self-discovery following an existential crisis. It features a supporting cast that includes America Ferrera, Kate McKinnon, Issa Rae, Rhea Perlman, and Will Ferrell.

    Gerwig is a co-writer on Disney’s upcoming Snow White, directed by Marc Webb and currently in post-production ahead of a release on March 24, 2024. 
     

  • ‘Barbie’ hits nerve across conservative Gulf nations

    DUBAI: After being banned in some Arab countries, the film “Barbie” is dividing audiences in the conservative Gulf.In the United Arab Emirates and Saudi Arabia — which did not allow women to drive or cinemas until 2018 — fans have queued up in pink versions of the abaya, the traditional all-covering robe, to see the hit movie. But not everyone is comfortable with the celebration of female emancipation in a region where attitudes towards women’s empowerment are only slowly changing.

    A doctored photo showing Saudi Crown Prince Mohammed bin Salman and UAE President Mohamed bin Zayed in pink robes was widely shared on social media, and a popular Bahraini preacher railed against what he regards as the film’s progressive agenda.

    Bahrain is one of the Gulf monarchies to show “Barbie”, which is banned in Kuwait and has not been released in Qatar or Oman. In the wider Middle East, it is also barred in Algeria and Lebanon.

    “We never imagined that such a movie would be shown in Gulf countries,” Wadima Al-Amiri, an 18-year-old Emirati, told AFP at a packed Dubai cinema offering pink popcorn to movie-goers dressed in matching colours.

    Feminist filmmaker Greta Gerwig’s tongue-in-cheek movie contains no explicit LGBTQ references but it subtly nods at topics of diversity and inclusion and features a trans actor.

    In Dubai, which styles itself as the Gulf’s cosmopolitan centre, cinemas are adorned with memorabilia and photo booths shaped like doll boxes.

    Mounira, a 30-year-old Saudi, joined her three pink-clad daughters in a Dubai theatre.

    “If the movie includes principles or concepts opposed to those we believe in, it should not be shown in Saudi Arabia or in other Gulf countries,” she told AFP.

    “But we came to give the film a chance.”

    ‘Challenges masculinity’

    Social media has been swept by the craze. A video of a giant digitally created Barbie next to the Burj Khalifa, the world’s tallest building, was shared by thousands.

    Female empowerment is tackled in the film’s early stages. The various Barbies include a president, diplomat and Supreme Court justices, jobs traditionally handed to men.

    As the plot unfolds, the patriarchy threatens to infect ‘Barbieland’ — a matriarchal utopia where men lounge on the beach while women occupy prestigious roles.

    The movie has made a splash in Saudi Arabia, where female activists still face charges for social media posts violating strict dress codes and where homosexuality is outlawed like across much of the region.

    Restaurants in the capital Riyadh have introduced Barbie-inspired dishes and drinks to their menus. But not everyone is impressed.

    Hanan Al-Amoudi, a Saudi mother-of-four waiting to watch a different film in Dubai, said she has no interest in seeing “Barbie”.

    “I support freedom and openness, but with regard to ‘Barbie’, I heard that it challenges masculinity,” she said, wearing a black abaya and niqab face covering.

    “For a man to resemble a woman by wearing make-up, and dressing (effeminately)… this is something I do not like,” she said, referring to Ryan Gosling’s flamboyant Ken.

    ‘White and superficial’

    In Bahrain, “Barbie” has drawn the ire of Islamic preacher Hassan Al-Husseini who is followed by millions on social media and has called for a ban.

    In an Instagram post, he criticised the movie for “revolting against the idea of marriage and motherhood” and showing men “without manhood” or depicting them as “monsters.”

    Similar objections were raised in Kuwait, which blocked the film to “protect public ethics and social traditions.”

    Kuwait was the only Gulf Arab country this month to ban the Australian horror movie “Talk to Me” which features a trans actor but makes no mention of LGBTQ issues.

    Kuwaitis, however, have still managed to watch “Barbie” through piracy websites or even by driving across the border to Saudi Arabia.

    Kuwaiti journalist Sheikha Al-Bahaweed streamed it online but was left disappointed because she felt it was not feminist or inclusive enough.

    “It showed white, colonial and superficial feminism,” she said.

    “Feminism is never based on replacing a patriarchal system with a matriarchal one, but rather… it is based on equality, justice and equal opportunities.”

    But for Reefan al-Amoudi, an 18-year-old Saudi, “Barbie” pushes the feminist agenda too far.

    “It is nice for a woman to work and be self-reliant,” she said at a Dubai cinema.

    “But her body is not like a man’s body. She is able to do everything like a man, but within limits.”

  • Algeria pulls Barbie from cinemas for ‘violating morals’

    By AFP

    ALGIERS: Algeria has withdrawn the film “Barbie” from its cinemas for reportedly breaching morals, joining a growing number of Arab countries barring the global box office hit.

    Barbie, which has topped $1.2 billion in worldwide revenues, was released in Algeria on July 19 before cinemas removed it from their schedules on Sunday without explanation.

    The film’s distributor in the North African country also announced its removal without saying why.

    Online news site 24H Algerie said the film was removed for “violating morals”, citing well-informed sources.

    “Algeria has become embroiled in controversy over Barbie due to scenes intended for adult audiences” and allusions to homosexuality, the news site TSA reported.

    It said the film was “discreetly withdrawn from cinemas.”

    ALSO READ | Lebanon moves to ban ‘Barbie’ film as anti-LGBTQ sentiment rages

    Though it was widely anticipated by LGBTQ communities around the world, the film does not contain any overt references to same-sex relationships or queer themes.

    Algeria’s culture ministry, which usually announces film bans and its reasoning, has so far remained silent.

    The decision to halt screenings of Barbie in the country follows similar moves in the region.

    Kuwait barred the film on Thursday over concerns about “public ethics”, officials said.

    ALSO READ | Kuwait bans ‘Barbie’ over ‘public ethics’ concerns

    Lebanon’s culture minister said the day before that he had asked authorities to ban Barbie for purportedly “promoting homosexuality”, as anti-LGBTQ rhetoric soars in one of the Middle East’s more liberal countries.

    The film is still not being screened in Qatar, though there has been no official announcement on the matter.

    ALGIERS: Algeria has withdrawn the film “Barbie” from its cinemas for reportedly breaching morals, joining a growing number of Arab countries barring the global box office hit.

    Barbie, which has topped $1.2 billion in worldwide revenues, was released in Algeria on July 19 before cinemas removed it from their schedules on Sunday without explanation.

    The film’s distributor in the North African country also announced its removal without saying why.googletag.cmd.push(function() {googletag.display(‘div-gpt-ad-8052921-2’); });

    Online news site 24H Algerie said the film was removed for “violating morals”, citing well-informed sources.

    “Algeria has become embroiled in controversy over Barbie due to scenes intended for adult audiences” and allusions to homosexuality, the news site TSA reported.

    It said the film was “discreetly withdrawn from cinemas.”

    ALSO READ | Lebanon moves to ban ‘Barbie’ film as anti-LGBTQ sentiment rages

    Though it was widely anticipated by LGBTQ communities around the world, the film does not contain any overt references to same-sex relationships or queer themes.

    Algeria’s culture ministry, which usually announces film bans and its reasoning, has so far remained silent.

    The decision to halt screenings of Barbie in the country follows similar moves in the region.

    Kuwait barred the film on Thursday over concerns about “public ethics”, officials said.

    ALSO READ | Kuwait bans ‘Barbie’ over ‘public ethics’ concerns

    Lebanon’s culture minister said the day before that he had asked authorities to ban Barbie for purportedly “promoting homosexuality”, as anti-LGBTQ rhetoric soars in one of the Middle East’s more liberal countries.

    The film is still not being screened in Qatar, though there has been no official announcement on the matter.

  • He’s ‘just Ken’ but will the ‘Barbie’ movie change his popularity?

    By Associated Press

    NEW YORK: On and off the big screen, it’s Barbie’s world and Ken is just living in it.

    As reflected in Greta Gerwig’s blockbuster movie that tackles the legacy of Mattel’s famous doll, Barbie has always been more popular than Ken. For every Ken doll sold today, there’s generally eight to 10 Barbies sold, according to Jim Silver, a toy industry expert and CEO of the review site TTPM.

    It’s unclear if Warner Bros’ “Barbie,” which was also co-produced by Mattel, will increase Ken’s production and sales. But Silver noted that the movie “gave Ken more attention than Ken has received” in decades.

    Ken was first introduced back in 1961, two years after Barbie hit store shelves. But he hasn’t had nearly the same impact on the Barbieverse since.

    “Barbie’s world is about Barbie. And (to some), Ken may be an accessory of sorts,” said Ed Timke, an assistant professor of advertising and public relations at Michigan State University, pointing to years of marketing that has, naturally, put Barbie at center stage.

    The new attention around Ken following “Barbie’s” release has also received pushback. Many note that the movie is about Barbie — not Ken — and that’s where the spotlight should stay.

    Still, the dynamic between the film’s Barbie and Ken may get people to reflect on some big questions about gender and Ken’s own evolution over the years.

    Who is Ken as a toy and how has he changed?

    Ken’s relationship to Barbie has been up for debate since the two hit the toy aisle together. While Mattel long-advertised Ken as Barbie’s boyfriend — and even detailed their 2004 split and subsequent reconciliation seven years later — many also saw Ken as Barbie’s best friend, and sometimes a queer icon. One 1993 version of Ken in particular, Earring Magic Ken, became notably popular among LGBTQ consumers, the New York Historical Society notes. At the time, Mattel denied the Earring Magic Ken was queer and later pulled him from shelves.

    Other popular versions of Ken ranged from the tuxedo-wearing 1984 Dream Date Ken, to 1978 Superstar Ken and 1979 Sun Malibu Ken, which became one of the doll’s most iconic looks (as reflected in Ryan Gosling’s character). While Ken has gone through far fewer career changes than Barbie, his resume boasts job titles like astronaut, barista, country western singer and doctor.

    “A wonderful thing is that through play, children are free to have their dolls take on any type of role that they wish,” said Ann Herzog, a clinical instructor of child life and family-centered care at Boston University.

    She also underlined the importance of diversity in toy collections and providing “open-ended play opportunities and not to endorse stereotypes that the Barbie collection and dolls, in general, are only specific to a particular gender.”

    While children of all genders, including young boys, have played with Barbie and Ken over the years, Timke notes that “there’s definitely the gendering of marketing toward girls” for both figures, pointing to contrasts in advertising for products historically seen as “boy toys,” such as G.I. Joe. That legacy, as well as other socialization, still impacts who plays with certain toys today.

    Still, Ken — like Barbie — has evolved over time and become more diverse, particularly after Mattel rolled out more skin tones, body types, hairstyles and more for Ken dolls in 2017. Some Kens also have prosthetic legs, wheelchairs and hearing aids. Increases in diverse representation — with similar changes seen since 2016 for Barbie — have boosted the dolls’ popularity and comeback sales, Silver said.

    Will Barbie (and Ken) sales increase following the movie’s release?

    Mattel did not respond to The Associated Press’ requests for data or comment on specific Ken and Barbie sales seen before and after “Barbie’s” July 21 release. But according to market research firm Circana, Barbie sales overall for the U.S. toy industry increased 40% in the last two weeks of July compared with the same period in 2022.

    Circana doesn’t break out Ken from Barbie sales. Still, “I suspect that, with the movie, sales of Ken dolls will experience a strong lift in sales,” Juli Lennett, VP, U.S. toys industry advisor at Circana, wrote in an email to The Associated Press. Additional experts also expected a spike in interest, but weren’t sure about the long run.

    Lennett did note that the top-selling “Barbie” movie item for those last two weeks of July was the Barbie Gingham Dress followed by the Ken Doll Set. Between those two items, Barbie outsold Ken nearly two to one, she said.

    For the second quarter of 2023, which ended weeks before the movie’s release, worldwide sales of Barbie to retailers excluding adjustments actually fell 6%. Mattel executives told analysts that sales had improved in July, and it expects the movie will have a halo effect on the brand for years to come.

    There was a carryover of inventory across the toy industry for the first half of the year, Silver explains, noting that record sales in the first years of the pandemic led to over-buying at the end of 2022. He predicts a rebound in Barbie sales heading into the holiday season when toy spending is high and after “Barbie” eventually makes its way to streaming.

    And of course, sales following “Barbie’s” release won’t be limited to the toy aisle. Other branded products are also gaining popularity from the film, including Ken-focused swag like “I am Kenough” sweatshirts and other “Ken-ergy” apparel, are currently for sale by Mattel, as well as from third-party sellers on sites like Amazon and Walmart.

    NEW YORK: On and off the big screen, it’s Barbie’s world and Ken is just living in it.

    As reflected in Greta Gerwig’s blockbuster movie that tackles the legacy of Mattel’s famous doll, Barbie has always been more popular than Ken. For every Ken doll sold today, there’s generally eight to 10 Barbies sold, according to Jim Silver, a toy industry expert and CEO of the review site TTPM.

    It’s unclear if Warner Bros’ “Barbie,” which was also co-produced by Mattel, will increase Ken’s production and sales. But Silver noted that the movie “gave Ken more attention than Ken has received” in decades.googletag.cmd.push(function() {googletag.display(‘div-gpt-ad-8052921-2′); });

    Ken was first introduced back in 1961, two years after Barbie hit store shelves. But he hasn’t had nearly the same impact on the Barbieverse since.

    “Barbie’s world is about Barbie. And (to some), Ken may be an accessory of sorts,” said Ed Timke, an assistant professor of advertising and public relations at Michigan State University, pointing to years of marketing that has, naturally, put Barbie at center stage.

    The new attention around Ken following “Barbie’s” release has also received pushback. Many note that the movie is about Barbie — not Ken — and that’s where the spotlight should stay.

    Still, the dynamic between the film’s Barbie and Ken may get people to reflect on some big questions about gender and Ken’s own evolution over the years.

    Who is Ken as a toy and how has he changed?

    Ken’s relationship to Barbie has been up for debate since the two hit the toy aisle together. While Mattel long-advertised Ken as Barbie’s boyfriend — and even detailed their 2004 split and subsequent reconciliation seven years later — many also saw Ken as Barbie’s best friend, and sometimes a queer icon. One 1993 version of Ken in particular, Earring Magic Ken, became notably popular among LGBTQ consumers, the New York Historical Society notes. At the time, Mattel denied the Earring Magic Ken was queer and later pulled him from shelves.

    Other popular versions of Ken ranged from the tuxedo-wearing 1984 Dream Date Ken, to 1978 Superstar Ken and 1979 Sun Malibu Ken, which became one of the doll’s most iconic looks (as reflected in Ryan Gosling’s character). While Ken has gone through far fewer career changes than Barbie, his resume boasts job titles like astronaut, barista, country western singer and doctor.

    “A wonderful thing is that through play, children are free to have their dolls take on any type of role that they wish,” said Ann Herzog, a clinical instructor of child life and family-centered care at Boston University.

    She also underlined the importance of diversity in toy collections and providing “open-ended play opportunities and not to endorse stereotypes that the Barbie collection and dolls, in general, are only specific to a particular gender.”

    While children of all genders, including young boys, have played with Barbie and Ken over the years, Timke notes that “there’s definitely the gendering of marketing toward girls” for both figures, pointing to contrasts in advertising for products historically seen as “boy toys,” such as G.I. Joe. That legacy, as well as other socialization, still impacts who plays with certain toys today.

    Still, Ken — like Barbie — has evolved over time and become more diverse, particularly after Mattel rolled out more skin tones, body types, hairstyles and more for Ken dolls in 2017. Some Kens also have prosthetic legs, wheelchairs and hearing aids. Increases in diverse representation — with similar changes seen since 2016 for Barbie — have boosted the dolls’ popularity and comeback sales, Silver said.

    Will Barbie (and Ken) sales increase following the movie’s release?

    Mattel did not respond to The Associated Press’ requests for data or comment on specific Ken and Barbie sales seen before and after “Barbie’s” July 21 release. But according to market research firm Circana, Barbie sales overall for the U.S. toy industry increased 40% in the last two weeks of July compared with the same period in 2022.

    Circana doesn’t break out Ken from Barbie sales. Still, “I suspect that, with the movie, sales of Ken dolls will experience a strong lift in sales,” Juli Lennett, VP, U.S. toys industry advisor at Circana, wrote in an email to The Associated Press. Additional experts also expected a spike in interest, but weren’t sure about the long run.

    Lennett did note that the top-selling “Barbie” movie item for those last two weeks of July was the Barbie Gingham Dress followed by the Ken Doll Set. Between those two items, Barbie outsold Ken nearly two to one, she said.

    For the second quarter of 2023, which ended weeks before the movie’s release, worldwide sales of Barbie to retailers excluding adjustments actually fell 6%. Mattel executives told analysts that sales had improved in July, and it expects the movie will have a halo effect on the brand for years to come.

    There was a carryover of inventory across the toy industry for the first half of the year, Silver explains, noting that record sales in the first years of the pandemic led to over-buying at the end of 2022. He predicts a rebound in Barbie sales heading into the holiday season when toy spending is high and after “Barbie” eventually makes its way to streaming.

    And of course, sales following “Barbie’s” release won’t be limited to the toy aisle. Other branded products are also gaining popularity from the film, including Ken-focused swag like “I am Kenough” sweatshirts and other “Ken-ergy” apparel, are currently for sale by Mattel, as well as from third-party sellers on sites like Amazon and Walmart.

  • Kuwait bans ‘Barbie’ over ‘public ethics’ concerns

    By AFP

    KUWAIT CITY: Kuwait has barred hit film “Barbie” from cinemas over concerns about “public ethics”, officials have said, also confirming a separate ban on a horror movie featuring a transgender actor.

    “Barbie” and “Talk to Me” both “promulgate ideas and beliefs that are alien to the Kuwaiti society and public order”, Lafy Al-Subei’e, head of Kuwait’s cinema censorship committee, told the official KUNA news agency.

    While deciding on any foreign movie, the committee usually orders “censoring of the scenes that run counter to public ethics”, Subei’e was quoted as saying late on Wednesday.

    “But (if) a film carries alien concepts, message or unacceptable behaviour, the committee decides to bar the stuff in question as a whole,” he said.

    Gulf Arab states including Kuwait, the United Arab Emirates and Saudi Arabia — all of which outlaw homosexuality — routinely censor films that contain LGBTQ references.

    Most recently, they banned the latest Spider-Man animation in June, reportedly over a scene that includes a transgender pride flag.

    ALSO READ | Lebanon moves to ban ‘Barbie’ film as anti-LGBTQ sentiment rages

    However, “Barbie”, which has taken more than $1 billion worldwide, is being shown in Saudi Arabia, the UAE and Bahrain.

    In Lebanon, Culture Minister Mohammad Mortada said on Wednesday he had asked authorities to ban “Barbie” for purportedly “promoting homosexuality”, though the film does not contain any overt references to same-sex relationships or queer themes.

    “Talk to Me”, which is shown in Emirati and Saudi theatres, features Australian transgender actor Zoe Terakes but no explicit LGBTQ references.

    “Our film doesn’t have queer themes,” Terakes said in a statement posted on social media on Sunday, after the ban was first reported.

    “I am a trans actor who happened to get the role. I’m not a theme. I’m a person,” added Terakes who identifies as non-binary.

    KUWAIT CITY: Kuwait has barred hit film “Barbie” from cinemas over concerns about “public ethics”, officials have said, also confirming a separate ban on a horror movie featuring a transgender actor.

    “Barbie” and “Talk to Me” both “promulgate ideas and beliefs that are alien to the Kuwaiti society and public order”, Lafy Al-Subei’e, head of Kuwait’s cinema censorship committee, told the official KUNA news agency.

    While deciding on any foreign movie, the committee usually orders “censoring of the scenes that run counter to public ethics”, Subei’e was quoted as saying late on Wednesday.googletag.cmd.push(function() {googletag.display(‘div-gpt-ad-8052921-2’); });

    “But (if) a film carries alien concepts, message or unacceptable behaviour, the committee decides to bar the stuff in question as a whole,” he said.

    Gulf Arab states including Kuwait, the United Arab Emirates and Saudi Arabia — all of which outlaw homosexuality — routinely censor films that contain LGBTQ references.

    Most recently, they banned the latest Spider-Man animation in June, reportedly over a scene that includes a transgender pride flag.

    ALSO READ | Lebanon moves to ban ‘Barbie’ film as anti-LGBTQ sentiment rages

    However, “Barbie”, which has taken more than $1 billion worldwide, is being shown in Saudi Arabia, the UAE and Bahrain.

    In Lebanon, Culture Minister Mohammad Mortada said on Wednesday he had asked authorities to ban “Barbie” for purportedly “promoting homosexuality”, though the film does not contain any overt references to same-sex relationships or queer themes.

    “Talk to Me”, which is shown in Emirati and Saudi theatres, features Australian transgender actor Zoe Terakes but no explicit LGBTQ references.

    “Our film doesn’t have queer themes,” Terakes said in a statement posted on social media on Sunday, after the ban was first reported.

    “I am a trans actor who happened to get the role. I’m not a theme. I’m a person,” added Terakes who identifies as non-binary.

  • ‘Barbie’ tops USD 1 billion worldwide, breaks another record for female directors

    By AFP

    Hollywood’s pink wave has yet to crest as Warner Bros.’ “Barbie” dominated for a third straight weekend in North American theaters, pushing the film’s global haul past USD 1 billion in a first for a solo woman director, industry watcher Exhibitor Relations said Sunday.

    The Greta Gerwig-directed blockbuster has tapped into a cultural zeitgeist: not only did it make history by hitting the billion-dollar box office milestone, it also did so faster than any film — including those directed by men — in Warner Bros.’ 100-year history, executives there said.

    The film, which earlier scored the biggest opening weekend of the year, “has captured the imagination of moviegoers around the world and the results are incredibly impressive,” analyst Paul Dergarabedian of Comscore said.

    Starring Margot Robbie as iconic doll Barbie and Ryan Gosling as boyfriend Ken, the movie earned a projected USD 53 million for the Friday-through-Sunday period, for a domestic total of USD 459 million and a whopping USD 1.03 billion worldwide.

    Co-written by Gerwig and her partner Noah Baumbach, it follows Barbie as she contends with her woman-led, pink-plastered fantasy land becoming infected with real-world problems, in a comic self-aware commentary on the dolls’ decades-old cultural significance.

    A supporting cast including Will Ferrell, Kate McKinnon and America Ferrera add even more star power to the film, while its soundtrack includes new songs by chart toppers Dua Lipa, Lizzo and Nicki Minaj — as well as a surprise hit in “I’m Just Ken,” the power ballad sung in the film by Gosling.

    “Barbie” is only the sixth film to surpass USD 1 billion at the box-office since the Covid-19 pandemic, according to Variety.

    Falling to third place was Universal’s “Oppenheimer,” the dark historical drama whose opening the same week as “Barbie” sparked the massive “Barbenheimer” social media trend.

    ‘Oppenheimer’ becomes top-grossing WWII filmIt was bumped by Warner Bros. newcomer “Meg 2: The Trench,” an action sequel in which Jason Statham tries to survive attacks by gargantuan prehistoric sharks.

    “Meg 2” pulled in USD 30 million for the weekend, while Christopher Nolan’s “Oppenheimer” earned USD 28.7 million to push its global total to USD 552 million.

    That total made the story about the creation of the atomic bomb the all-time top-grossing World War II film, ahead of Nolan’s own “Dunkirk” (USD 527 million) and Steven Spielberg’s “Saving Private Ryan” (USD 482 million), not adjusted for inflation, according to Hollywood Reporter.

    Fourth place for the weekend went to “Teenage Mutant Ninja Turtles: Mutant Mayhem,” the latest in the franchise about a team of reptilian heroes in a half-shell. The Paramount animated comedy, featuring the voices of Jackie Chan and Post Malone, brought in USD 28 million.

    Disney release “Haunted Mansion” slid two spots to fifth, with the lavishly produced kid-centric film — starring LaKeith Stanfield, Tiffany Haddish and Owen Wilson — earning USD 8.9 million.

    Holding its own in sixth was the independent “Sound of Freedom,” from Santa Fe Films and Angel Studios, at USD 7 million. The low-budget action thriller has sparked controversy, with critics saying its story about child sex trafficking plays into Qanon conspiracy theories.

    All in all, it was an exceptional weekend for Hollywood, with the top four films all raking in USD 28 million or more — though whether the industry can sustain that momentum in the face of a historic writers’ and actors’ strike remains to be seen.

    Not only did the top films come close to doubling the total from the same weekend last year, they surpassed the corresponding pre-pandemic weekend in 2019, analysts said.

    As Ken might have said — in a line reportedly ad-libbed by Gosling in “Barbie” — the weekend was “Sublime!”

    Rounding out the top 10 were:

    “Mission: Impossible – Dead Reckoning Part 1” (USD 6.4 million)

    “Talk to Me” (USD 6.2 million)

    “Indiana Jones and the Dial of Destiny” (USD 1.5 million)

    “Elemental” (USD 1.2 million)

    Hollywood’s pink wave has yet to crest as Warner Bros.’ “Barbie” dominated for a third straight weekend in North American theaters, pushing the film’s global haul past USD 1 billion in a first for a solo woman director, industry watcher Exhibitor Relations said Sunday.

    The Greta Gerwig-directed blockbuster has tapped into a cultural zeitgeist: not only did it make history by hitting the billion-dollar box office milestone, it also did so faster than any film — including those directed by men — in Warner Bros.’ 100-year history, executives there said.

    The film, which earlier scored the biggest opening weekend of the year, “has captured the imagination of moviegoers around the world and the results are incredibly impressive,” analyst Paul Dergarabedian of Comscore said.googletag.cmd.push(function() {googletag.display(‘div-gpt-ad-8052921-2′); });

    Starring Margot Robbie as iconic doll Barbie and Ryan Gosling as boyfriend Ken, the movie earned a projected USD 53 million for the Friday-through-Sunday period, for a domestic total of USD 459 million and a whopping USD 1.03 billion worldwide.

    Co-written by Gerwig and her partner Noah Baumbach, it follows Barbie as she contends with her woman-led, pink-plastered fantasy land becoming infected with real-world problems, in a comic self-aware commentary on the dolls’ decades-old cultural significance.

    A supporting cast including Will Ferrell, Kate McKinnon and America Ferrera add even more star power to the film, while its soundtrack includes new songs by chart toppers Dua Lipa, Lizzo and Nicki Minaj — as well as a surprise hit in “I’m Just Ken,” the power ballad sung in the film by Gosling.

    “Barbie” is only the sixth film to surpass USD 1 billion at the box-office since the Covid-19 pandemic, according to Variety.

    Falling to third place was Universal’s “Oppenheimer,” the dark historical drama whose opening the same week as “Barbie” sparked the massive “Barbenheimer” social media trend.

    ‘Oppenheimer’ becomes top-grossing WWII film
    It was bumped by Warner Bros. newcomer “Meg 2: The Trench,” an action sequel in which Jason Statham tries to survive attacks by gargantuan prehistoric sharks.

    “Meg 2” pulled in USD 30 million for the weekend, while Christopher Nolan’s “Oppenheimer” earned USD 28.7 million to push its global total to USD 552 million.

    That total made the story about the creation of the atomic bomb the all-time top-grossing World War II film, ahead of Nolan’s own “Dunkirk” (USD 527 million) and Steven Spielberg’s “Saving Private Ryan” (USD 482 million), not adjusted for inflation, according to Hollywood Reporter.

    Fourth place for the weekend went to “Teenage Mutant Ninja Turtles: Mutant Mayhem,” the latest in the franchise about a team of reptilian heroes in a half-shell. The Paramount animated comedy, featuring the voices of Jackie Chan and Post Malone, brought in USD 28 million.

    Disney release “Haunted Mansion” slid two spots to fifth, with the lavishly produced kid-centric film — starring LaKeith Stanfield, Tiffany Haddish and Owen Wilson — earning USD 8.9 million.

    Holding its own in sixth was the independent “Sound of Freedom,” from Santa Fe Films and Angel Studios, at USD 7 million. The low-budget action thriller has sparked controversy, with critics saying its story about child sex trafficking plays into Qanon conspiracy theories.

    All in all, it was an exceptional weekend for Hollywood, with the top four films all raking in USD 28 million or more — though whether the industry can sustain that momentum in the face of a historic writers’ and actors’ strike remains to be seen.

    Not only did the top films come close to doubling the total from the same weekend last year, they surpassed the corresponding pre-pandemic weekend in 2019, analysts said.

    As Ken might have said — in a line reportedly ad-libbed by Gosling in “Barbie” — the weekend was “Sublime!”

    Rounding out the top 10 were:

    “Mission: Impossible – Dead Reckoning Part 1” (USD 6.4 million)

    “Talk to Me” (USD 6.2 million)

    “Indiana Jones and the Dial of Destiny” (USD 1.5 million)

    “Elemental” (USD 1.2 million)

  • People filling theatres to see ‘Oppenheimer’, ‘Barbie’ victory for cinema: Francis Ford Coppola 

    By PTI

    LOS ANGELES: Veteran filmmaker Francis Ford Coppola says he is happy to see audiences flocking to cinema halls to watch “Barbie” and “Oppenheimer”, terming the favourable response to the two big-ticket releases “a victory for cinema”.

    Coppola said this in response to fans’ questions on his Instagram Stories, asking if he had watched Greta Gerwig’s “Barbie” and “Oppenheimer” by Christopher Nolan yet.

    “I have yet to see them, but the fact that people are filling big theatres to see them and that they are neither sequels nor prequels, no number attached to them, meaning they are true one-offs, is a victory for cinema,” the 84-year-old director said.

    According to entertainment website The Hollywood Reporter, “Barbie” and “Oppenheimer” have been on a roll since their opening weekend from July 21-23.

    Gerwig’s film not only had one of the top openings since the COVID-19 pandemic but “Barbie” also broke the record for the biggest opening for a female director.

    As far as Nolan’s movie is concerned, “Oppenheimer” ranked as the third-biggest opening ever for a biographical film in North America, the outlet stated.

    While Coppola previously expressed his dislike for franchises, he was behind “The Godfather” film trilogy, which spawned from Mario Puzo’s best-selling 1969 novel.

    When another social media user asked him about the future of cinema, the director said he had big hopes for the film exhibition industry.

    “My hunch is that we’re on the verge of a golden age.

    Wonderful and illuminating cinema seen in large theatres,” he said.

    LOS ANGELES: Veteran filmmaker Francis Ford Coppola says he is happy to see audiences flocking to cinema halls to watch “Barbie” and “Oppenheimer”, terming the favourable response to the two big-ticket releases “a victory for cinema”.

    Coppola said this in response to fans’ questions on his Instagram Stories, asking if he had watched Greta Gerwig’s “Barbie” and “Oppenheimer” by Christopher Nolan yet.

    “I have yet to see them, but the fact that people are filling big theatres to see them and that they are neither sequels nor prequels, no number attached to them, meaning they are true one-offs, is a victory for cinema,” the 84-year-old director said.googletag.cmd.push(function() {googletag.display(‘div-gpt-ad-8052921-2’); });

    According to entertainment website The Hollywood Reporter, “Barbie” and “Oppenheimer” have been on a roll since their opening weekend from July 21-23.

    Gerwig’s film not only had one of the top openings since the COVID-19 pandemic but “Barbie” also broke the record for the biggest opening for a female director.

    As far as Nolan’s movie is concerned, “Oppenheimer” ranked as the third-biggest opening ever for a biographical film in North America, the outlet stated.

    While Coppola previously expressed his dislike for franchises, he was behind “The Godfather” film trilogy, which spawned from Mario Puzo’s best-selling 1969 novel.

    When another social media user asked him about the future of cinema, the director said he had big hopes for the film exhibition industry.

    “My hunch is that we’re on the verge of a golden age.

    Wonderful and illuminating cinema seen in large theatres,” he said.