Eid’s magic at the box office is legendary, particularly for Salman Khan starrers that dominate screens and charts. Yet, as Bollywood awaits this year’s extravaganza amid Ramadan, thoughts turn to Salim Khan, the scripting genius hospitalized in Mumbai following a brain hemorrhage. The man who scripted icons like Sholay and Don now rests, but his words from past controversies resonate loudly.
Salim was never one to shy away from debate. Fatwas branding Eid film releases as un-Islamic? He dismantled them with logic and scripture. ‘Ban films for makers only? What about viewers?’ he challenged. Pointing to explosive Eid openings, he quipped, ‘Muslims pack theaters more than anyone—impose fatwas on them, and we’re done.’
Diving deeper, Salim stressed Islam’s emphasis on compassion over conflict. Eid, for him, is family time amplified by cinema’s allure—a harmless joy after Ramadan’s discipline. He recalled how the industry has timed releases for Eid since its early days, investing crores knowing the returns would be monumental.
This isn’t abstract philosophy; it’s lived reality. Salim’s home exemplifies unity: Hindu mother, Ganesh puja with dhol beats, respect for all faiths. Bollywood heavyweights are rallying around him now, underscoring his stature.
Salim’s retort wasn’t defiance but a call to reason. In an era of polarizing voices, his reminder that true faith fosters love, not bans, remains a beacon. As he recovers, his wisdom continues to inspire, reminding us why Eid films thrive—not despite faith, but because of its celebratory spirit.