Defying festival distractions, ‘Kerala Story 2’ has stormed the box office, collecting more than ₹20 crore in its first week despite competition from ‘Assi and O Romeo’. Holi’s revelry didn’t deter crowds, signaling strong public interest in this provocative drama.
Lyricist Manoj Muntashir, celebrated for his poignant work, has amplified the buzz with a personal appeal. Not for ticket sales, but for family safety—he implores parents to screen the film with their daughters. Echoing his backing of the first installment, Muntashir frames it as essential viewing to shield young women from real-world dangers.
‘Films like this can prevent tragedies,’ he declares, highlighting narratives of entrapment via fake affection and religious coercion. By fostering dialogue, he believes such stories neutralize threats, validating the film’s existence amid backlash.
Controversy shadowed the project from inception. Critics alleged it vilifies a community, risking national harmony, prompting ban calls from influential figures. Legal hurdles peaked with Kerala High Court petitions to drop ‘Kerala’ from the title and halt release. A division bench eventually allowed it to proceed.
The storyline grips with the plight of three students in Kerala, ensnared by suitors from a specific group. Sweet-talked into marriages that mask forced conversions, their dreams shatter. Muntashir’s stance transforms the film from mere entertainment to a vital tool for parental vigilance, sparking nationwide conversations on daughter safety.