At a recent forum in Delhi themed ‘Empowered Women, Developed India,’ hosted by Chintan Research Foundation, acclaimed filmmaker Nandita Das unpacked her philosophy on art’s societal role. Speaking candidly to IANS, she tackled cinema’s provocative potential, censorship debates, political smears, and women’s global struggles with eloquence and resolve.
Probed on her preference for discomforting narratives, Das illuminated her artistic ethos. ‘Entertainment alone doesn’t fulfill cinema’s promise,’ she said. ‘True power lies in tales that jolt prejudices, stir introspection, and kindle inner compassion. Such films resonate with me deeply, inspiring me to craft them for others.’
Confronting accusations of politicizing her craft, she offered a stoic perspective. ‘Challenging norms as an artist guarantees polarized responses,’ Das noted. ‘Some applaud, others attack. Letting others’ views dominate erodes personal strength. Labels spare us the effort of empathy, but unwavering belief in one’s principles fuels endurance against detractors.’
Weighing in on the ‘Kerala Story 2’ uproar and censorship woes, Das advocated fiercely for artistic liberty. ‘Freedom of expression is art’s lifeblood,’ she stressed. ‘Constrain it, and you stifle innovation alongside flaws. Society matures by sifting quality from dross naturally. Censorship, in any guise, is anathema to me.’
Reflecting on harrowing reports of Taliban-sanctioned violence against women, Das condemned it unequivocally. ‘No faith, regime, or doctrine justifies subjugating women or any group,’ she avowed. ‘A progressive society demands everyone’s vigilance. In my films, speeches, and activism, I’ll persistently combat these wrongs. Humanity thrives only when we defy injustice unitedly.’
Nandita Das’s forthright stance reaffirms cinema’s duty to provoke and illuminate, urging a bolder cultural dialogue.