Kannada cinema’s leading light, Satish Ninasam, is riding high on the completion of ‘The Rise of Ashoka’, a film that demanded extraordinary commitment. Set against the socio-political backdrop of 1970s border regions between Karnataka and Tamil Nadu, it captures a young rebel’s quest to shatter age-old customs.
Speaking at a media event in Chennai, the actor dished out production trivia: 1,000-strong artist ensemble and 138 days of non-stop filming. ‘The sheer magnitude of talent, elaborate sets, and strategic execution make it unique,’ he said, eyes gleaming with pride.
The protagonist’s journey—from job hunter to tradition-breaker—mirrors broader societal shifts. Ninasam emphasized, ‘This narrative inspires collective transformation beyond individual struggles.’
Authenticity ruled the visuals. Teams dismantled modern facades to erect period-accurate thatched homes and rugged trails, evoking the era’s unadorned existence. Performances were honed to perfection, ensuring no character fades into backdrop; each adds profound layers.
CGI worked magic on 1,400 sequences, from amplifying floral landscapes to erasing anachronistic wires. Six months of post-work guarantees seamlessness. ‘It’ll look natural, not fabricated,’ promised Ninasam.
Sapthami Gowda, fresh off ‘Kantara’ success, stars opposite. With its blend of history, heart, and high production values, ‘The Rise of Ashoka’ eyes a spot among Kannada greats.
