Discovering Diego Rivera: The Influential Mexican Muralist

Diego Rivera's life and work continue to inspire people around the world, as he transformed the art scene in the 20th century. Through his murals, he sought to reflect the struggles and triumphs of the Mexican people, making him one of the most significant artists of his time. His story is not just about art; it's about passion, politics, and a relentless pursuit of a vision that captured the essence of a nation.

Who Was Diego Rivera?

Now thought to be one of the leading artists of the 20th century, Diego Rivera sought to make art that reflected the lives of the Mexican people. In 1921, through a government program, he started a series of murals in public buildings. Some were controversial; his Man at the Crossroads in New York City's RCA building, which featured a portrait of Vladimir Lenin, was stopped and destroyed by the Rockefeller family.

Early Life

Rivera was born on December 8, 1886, in Guanajuato, Mexico. His passion for art emerged early on. He began drawing as a child. Around the age of 10, Rivera went to study art at the San Carlos Academy of Fine Arts in Mexico City. One of his early influences was artist José Posada, who ran a print shop near Rivera's school.

In 1907, Rivera traveled to Europe to further his art studies. There, he befriended many leading artists of the day, including Pablo Picasso. Rivera was also able to view influential works by Paul Gauguin and Henri Matisse, among others.

Famous Muralist

Rivera had some success as a Cubist painter in Europe, but the course of world events would strongly change the style and subject of his work. Inspired by the political ideals of the Mexican Revolution (1914-15) and the Russian Revolution (1917), Rivera wanted to make art that reflected the lives of the working class and native peoples of Mexico. He developed an interest in making murals during a trip to Italy, finding inspiration in the Renaissance frescos there.

Returning to Mexico, Rivera began to express his artistic ideas about Mexico. He received funding from the government to create a series of murals about the country's people and its history on the walls of public buildings. In 1922, Rivera completed the first of the murals at the Escuela Nacional Preparatoria in Mexico City.

Commercial Success

In the 1930s and '40s, Rivera painted several murals in the United States. Some of his works created controversy, especially the one he did for the Rockefeller family in the RCA building in New York City. The mural, known as Man at the Crossroads, featured a portrait of Russian Communist leader Vladimir Lenin. The artist had reportedly included Lenin in his piece to portray the turbulent political atmosphere at the time, which was largely defined by conflicting capitalist and socialist ideologies and escalating fears surrounding the Communist Party. The Rockefellers disliked Rivera's insertion of Lenin and, thusly, asked Rivera to remove the portrait, but the painter refused. The Rockefellers then had Rivera stop work on the mural.

In 1934, Nelson Rockefeller famously ordered the demolition of Man at the Crossroads. Public backlash against the Rockefellers ensued; after long proclaiming a deep dedication to the arts, the powerful family now looked both hypocritical and tyrannical. John D. Rockefeller Jr. later attempted to explain the destruction of the mural, stating, "The picture was obscene and, in the judgment of Rockefeller Center, an offense to good taste. It was for this reason primarily that Rockefeller Center decided to destroy it."

Later Life and Work

In the late 1930s, Rivera went through a slow period in terms of work. He had no major mural commissions around this time so he devoted himself to painting other works. While they always had a stormy relationship, Rivera and Kahlo decided to divorce in 1939. But the pair reunited the following year and remarried. The couple hosted Communist exile Leon Trotsky at their home during this period.

Rivera returned to murals with one made for the 1940 Golden Gate International Exposition held in San Francisco. In Mexico City, he spent from 1945 to 1951 working on a series of murals known as From the Pre-Hispanic Civilization to the Conquest. His last mural was called Popular History of Mexico.

Death

By the mid-1950s, Rivera's health was in decline. He had traveled abroad for cancer treatment, but doctors were unable to cure him. Rivera died of heart failure on November 24, 1957, in Mexico City, Mexico.

Personal Life

Known for numerous dalliances with women, Rivera married fellow artist Frida Kahlo in 1929. He had already been twice before he wed Kahlo, who was 20 years his junior and had several children from his past relationships. Rivera and Kahlo shared an interest in radical politics and Marxism.

Rivera lost his wife Kahlo in 1954 and the following year, he married Emma Hurtado, his art dealer.

Legacy

Since his death, Rivera is remembered as an important figure in 20th-century art. His childhood home is now a museum in Mexico. His life and relationship with Kahlo have remained a subject of great fascination and speculation. On the big screen, actor Ruben Blades portrayed Rivera in the 1999 movie Cradle Will Rock. Alfred Molina later brought Rivera to life, co-starring with Salma Hayek in the 2002 acclaimed biographical film Frida.

Quick Facts

Name: Diego Rivera
Birth Year: 1886
Birth Date: December 8, 1886
Birth City: Guanajuato
Birth Country: Mexico
Gender: Male
Best Known For: Painter and muralist who sought to make art that reflected the lives of the working class and native peoples of Mexico.
Industries: Art, Painting
Astrological Sign: Sagittarius
Schools: San Carlos Academy of Fine Arts
Nationalities: Mexican
Death Year: 1957
Death Date: November 24, 1957
Death City: Mexico City
Death Country: Mexico