India pulses with anticipation for Mahashivratri on February 15, a night when Shiva’s devotees unite in ecstatic worship. Bollywood has amplified this spirit through songs like Kailash Kher’s infectious ‘Agad Bam Shiv Lahari,’ a tribute to the destroyer-creator and his eternal companion Parvati. Yet, music aficionados might be surprised to learn this popular number echoes a forgotten gem—a sprawling 12-minute bhakti anthem by regional folk singer Bansi Jogi.
Hailing from the cultural crossroads of Haryana and Uttar Pradesh, Bansi Jogi immersed himself in Shiva worship during the 1990s. Tracks like ‘Bam Lahari,’ ‘Main Bhang Ragad Ke Piya Karun,’ and ‘Sirsagar Se Chalya Ja’ became local legends. Launching Bansi Jogi & Party, he crafted authentic sounds using traditional instruments, turning his 1995 ‘Agad Bam Bam Lahari’ into a storytelling powerhouse.
Dive into its lyrics: Shiva playfully resists Parvati’s advances, highlighting his aghori ways, before succumbing to her devotion. Post-wedding, the narrative shifts to a ritual where Shiva offers three fistfuls of ash—representing prosperity, knowledge, and serenity—to avaricious priests. In a twist of divine justice, the ash morphs into treasures in the water, only reverting when greed takes hold. This layered tale critiques human flaws while exalting Shiva-Parvati’s union.
While Kher’s abbreviated take dominates playlists today, Bansi’s opus offers unfiltered bhakti. This Mahashivratri, streaming the original could bridge generations, honoring the folk traditions that birthed Bollywood’s hits.