Fresh off the blockbuster run of his ‘Files’ series, director Vivek Ranjan Agnihotri is teasing a cinematic revolution. ‘The Bengal Files’, released in 2025, capped a trilogy that included ‘Tashkent’ and ‘Kashmir Files’—films that shattered records and sparked national conversations.

Speaking exclusively, Agnihotri opened up about his post-trilogy pivot. After a reflective getaway, he’s recommitted to stories that empower. ‘It’s time for films that motivate citizens to rebuild India with hope and vigor,’ he declared. ‘No more handing over the future to governments; youth must lead.’

This year, his agenda is laser-focused: inspirational narratives, thoughtful writing, and guiding emerging filmmakers. His company, I Am Buddha, once solely for his projects, now champions underdogs from hinterlands—talented youngsters overlooked by industry gatekeepers.

Two mentored films are polished and awaiting censor board nod, poised to offer fresh perspectives. Agnihotri’s also diving into OTT with fact-based content and scripting a grand-scale movie. Social media? He’s stepping back from its ‘psychological violence’ toward substantive, academic writing.

From controversy-stirring exposés to uplifting anthems, Agnihotri’s next chapter could redefine patriotic Bollywood, urging audiences to action in real life.