WASHINGTON: Wes Anderson’s film, ‘The French Dispatch’, had its long-awaited premiere at the Cannes Film Festival on Monday and earned one of the biggest standing ovations so far at the 74th edition of the event.
As per Variety, the applause continued for nine minutes for Anderson and his cast in attendance, which included Timothee Chalamet, Bill Murray, Owen Wilson, Tilda Swinton, Adrien Brody, Stephen Park, and Benicio Del Toro.
But one actor couldn’t make the trip. Lea Seydoux was absent from the movie premiere, as she is quarantining in Paris after testing positive for COVID-19.
As the event began, there were signs that this wasn’t going to be a regular Cannes premiere. Instead of a black car, the cast, along with composer Alexandre Desplat, arrived together in a giant gold party bus, escorted by French motorcycle police. Murray took off his mask (which had an imprint of a chin on it), basking in the flashing lights.
Anderson stopped his ensemble at the bottom of the carpet to take a group photo. Many of the actors also seemed to be doing their own camera work. Wilson filmed the crowds at the bottom of the carpet, and Brody pulled in Chalamet for a selfie at the top of the stairs (violating the festival’s no-selfie rule, although none of the ushers tackled his phone — as they do with regular attendees attempting the same).
Swinton, who has five movies playing at Cannes, wore a pink gown with shimmering gold sequin-covered sleeves. Chalamet leaned his head on her shoulder.
Once Anderson entered the theater, the Cannes crowd welcomed him with a rapturous standing ovation. Chalamet and Swinton held hands walking down the aisle, and he mouthed “Queens baby!” to the cameras as he clapped along.
After the lights went back up, Murray walked from seat to seat hugging every person in the cast. Swinton was caught playing a hilarious prank on co-star Chalamet as the audience gave the film a standing ovation.
A video of the comical incident shows Swinton sneakily sticking a “Tilda Swinton” sign on Chalamet’s back while pretending to hug him.
The Searchlight film follows a weekly magazine that covers global politics, culture, art, and food in a special interest section of a daily newspaper from Kansas. Murray plays a devout editor to a gang of expatriate writers who must package their final collection of stories.
Through the feature write-ups, comic strips, and pictorials, Anderson weaves several vignettes and plot threads.
The film is a love letter to journalism, although ironically Anderson declined to hold a press conference with his cast or conduct any interviews with reporters in Cannes.
The end credits are dedicated to a list of editors and writers that inspired the film, among them The New Yorker’s Harold Ross, William Shawn, Lillian Ross and Janet Flanner; James Baldwin; Ved Mehta, and more.
‘The French Dispatch’ was acquired by Searchlight in September 2019 and was meant to play Cannes 2020, which was scrapped as a result of the COVID-19 pandemic. The release date was pushed to October 2020 only to be delayed again.
The movie is now scheduled to open in theaters in the United States on October 22.